Lost AT E Minor

Erin Petson

It takes a certain amount of courage to be able to mix media without it looking like a sixth grade art project. Read more

Dave Jordano

The vibrant and intricate work of photographer Dave Jordano is full of subtle meaning and deft use of colour. His series on African-American churches is particularly illuminating. We spoke to him about it: How long have you been documenting small African-American churches in Chicago and what made you decide to embark on this project? ‘The project of documenting African American storefront churches came about quite by accident. I was working on another project just over the Illinois/Indiana border and my route took me over the Chicago Skyway Bridge. I would often look down onto a small plain industrial building that had a large hand painted sign above it’s door that read, “Cathedral of Divine Love Church.” I was impressed that this pastor felt that his little nondescript building was worthy of being called a cathedral. This notion stuck with me for quite some time and I just couldn’t shake it off. Finally, after several weeks of driving by the building, I decided to stop and introduce myself and ask if I could photograph the church. The pastor’s obvious remark was, “Services start in about an hour, you can come by after everyone has arrived.” My response was, “No, what I really had in mind was to photograph the church empty and that I was mainly interested in how he had decorated and set it up.” This threw up a cloud of suspicion as he thought my request was rather odd. I persisted, and after much discussion about my intentions, God, and religion, he granted me permission. I felt as if I had been the center of an inquisition, but rightly so. It was important that I had the trust of every pastor, that they knew my intentions were sincere, and that I had a great deal of respect for their church. I went back several times over the next month and made more photographs’. Read more

Young Blood at New York’s Opera Gallery

Well, it seems I’ve been in a vacuum of art since the spring. And now, its just a week or so out from the upcoming Young Blood exhibit, which features my paintings and opens at the Opera Gallery in New York. I find myself feeling both excited and nervous at the thought that this show is just around the corner. These past few months have seemed like one of the great feats of my lifetime. I have been working for five months on these two upcoming shows, immersed deeply in the studio, being on a complete mission to create what will be my debut show in Manhattan alongside a handful of other rising international artists. I would wake at once at 4:30 in the morning, to a strict regimen of coffee by five, and paint through the sunny summer days into late in the evening to complete these works. Read more

Emily Eldridge

Emily Eldridge is originally from the United States, where she studied illustration at the Savannah College of Art and Design. Based in Hong Kong for the past three years, she takes inspiration from the oddities and unique aspects of Asian culture and history around her. She incorporates her personal experiences and world travels into her lighthearted, colourful and feminine pieces.  Read more

Black and White Freedrawings by Zeptonn Willem

If you haven’t heard of illustrative designer Zeptonn, then you should have. He’s the creative force uniting a group of talented designers who operate on the brilliant design site Black Rock Collective. Read more

The Republic Tigers

Falling in between Enya, Bright Eyes, and Air, The Republic Tigers have been tagged ‘indie rock meets new age fog’. If that’s all too wishy-washy for you, then check out their new album Keep Color and watch the video to the album opener, Buildings and Mountains.

Listen to The Republic Tigers track, Golden Sand