Lost AT E Minor

The Fart Party

I’ve been reading Julia Wertz’s web comic, The Fart Party, which is simply a first person account of her every day life. The artwork is pretty rudimentary, but that works to the comic’s advantage, making it rather accessible and earnest seeming. Updated every few days, it’s not hard to keep up, and you never have to wait long to get your next fix.

Dead in the Now

Dead in the Now is a great new web comic by an artist named Rey about a boy who decides to raise an army of zombies. The style is anime inspired, but really loose and unfussy. There’s an almost frantic, psychedelic feel to it, which makes it unique. Not your typical fanboy fare.

Brandt Peters

Trapped in a time warp between then and now, the work of Brandt Peters combines an old school aesthetic with a modernity bordering on futuristic fantasy, with a touch of morbid fascination thrown in for good measure. In other words, he creates wonderful imagery combining cartoon-like pin-ups with sometimes freakish attributes (large skulled beings, for instance), and every now and then seems to throw in a nod to sci-fi — such as a mechanical glass jar — for good measure. Muted tones replace the bawdy colours often associated with such mediums, giving his pieces a whimsical, dream like quality. He must live in a delightfully wispy world.

Jaime Pitarch

Jaime Pitarch’s sculptures and installations made from found objects and discarded junk — furniture, clothes pins, kitchen knives, electric guitars, cocktail umbrellas — as well as video elements, are sort of 21st-century Dada pieces that defy gravity and rattle our conception of the physical universe. Driven by an incessant need to question reality after a traumatic attempt to save a drowning woman in 1996, Pitarch minimalist aesthetic belies the nearly tantric approach he has to his work. Read more

Kiss Shreds

Culture-jammer StSanders strikes again with his re-interpretation of Kiss. This is perhaps his best ’shred’ video yet, and honestly, I’d probably like Gene Simmons and crew more if they actually sounded like this.

Gravediggaz

Back in the ’90s, just as the gangsta rap phenomenon was winding down and hip-hop was fragmenting into its own subgenres, Prince Paul and RZA kicked off the short-lived horrorcore fad with their group Gravediggaz. At the time, the melding of dark, gothic themes with hardboiled rap seemed gimmicky and awkward, a strange extension of the early and awful attempts to bridge hip-hop and metal, but on closer listen, the now defunct supergroup was way more innovative than they were given credit for. Using horror imagery, crazed and off-kilter rapping styles, and genuinely creepy beats to describe life on the streets, Gravediggaz created innovative, complex, expressive music that was macabre yet socially conscious.