Rohan Hutchinson

Jennifer Tyer’s Fight exhibition

An exhibition of artist Jennifer Tyer’s latest work has just kicked off at Melbourne’s Helen Gory Galerie. Titled ‘Fight’, the works were inspired by the idea that, in tournament fights, where opponents of the same level compete, the person who wins will generally be the one with the stronger spirit. In doing so, she introduces a very human element to the militant contests, capturing the unwavering concentration in the rivals’ faces, their clear focus on winning, as well as the spectacle of the matches. The exhibition runs until February 21. Read more

Louis Porter

The candid work Melbourne-based photographer, Louis Porter, is like a window into another time and place, the subtle portraits presenting little snippets of someone else’s beautiful and convoluted world. Read more

Super Human exhibition at Melbourne’s RMIT Gallery

Showcasing works by leading Australasian artists, the Super Human exhibition re-frames the Cartesian body within contemporary culture. Focusing on Cognition and Neurology (Mind), Augmentation and Biological Manipulation (Body) and Nanoscale Interventions (the Soul, the ‘not visible’), the exhibition exposes aspirations and fears about our bodies and their extraordinary functions. The exhibition runs at the RMIT Gallery until December 5. Read more

Ken Taylor

Australian illustrator Ken Taylor has created imagery for some of rock n’ ’roll’s great purveyors of sound, from the Rolling Stones and Queens of the Stone Age, to Nine Inch Nails and the Mars Volta. He has an easily recognizable style that screams sharp edge cool. Bold and bawdy, Taylor’s pieces use vivid colour to create a cut-out-comic-like feel reminiscent of old movie posters from the 1930s and 40s.

Kelly Smith

Beautiful, delicate, fragile, a little bit collage, a little bit sketchfull. This is the work of Kelly Smith. Combining several mediums in a collaborative expose between pencil, paint and print to create timeless works of elegant splendour, it is easy to compare Smith’s works to the last snowflake of winter, fleeting but real, avoiding the brash bright mercantile world for the prettier climes of illustrative pleasure. Smith has a twelve-day exhibition on at the 696 Space in Brunswick, Melbourne, opening November 14.

Brandt Peters

Trapped in a time warp between then and now, the work of Brandt Peters combines an old school aesthetic with a modernity bordering on futuristic fantasy, with a touch of morbid fascination thrown in for good measure. In other words, he creates wonderful imagery combining cartoon-like pin-ups with sometimes freakish attributes (large skulled beings, for instance), and every now and then seems to throw in a nod to sci-fi — such as a mechanical glass jar — for good measure. Muted tones replace the bawdy colours often associated with such mediums, giving his pieces a whimsical, dream like quality. He must live in a delightfully wispy world.