Patti Smith’s The Color of Coral

Golden Bear’s new EP, Everest

Having played South By South West over the past couple of years, Golden Bear have just released a souped up new EP, Everest, which sees the Texan rock band playing together like they would at a rehearsal or a show. Says frontman Chris Gregory: ‘I was a little anxious about being able to approximate the sound of our live show in the first place, but I figured to hell with it-let’s give it a shot. And I’m glad we did. There were no endless nights of playing the same song 150 times, no overscrutinaztion, and in all honesty, no hitches in the plan whatsoever. It was loose, rowdy, and rewarding, just like our shows’. You can download the Golden Bear track, All The Stars [listen below], for free via the Music Download section in the third column of the Lost At E Minor site.

The Dark Was The Night compilation

The crew at 4AD, watching over perhaps the hottest artist roster of any independent label in the world, have put their collective minds together and come up with an album that holds every potential of being the finest release of the year. The formula is simple: you grab a batch of the hottest bands and artists around at the moment (take your pick from Arcade Fire, Yeasayer [pictured above], Bon Iver, Beirut, Sufjan Stevens; the list continues without the slightest dip in quality), throw in David Byrne for a touch of that priceless musical wisdom, quickly hammer together a few inspired duos, like Gillian Welch and Conor Oberst, or The Books and Jose Gonzalez, name it after a seminal Blind Willie Johnson track, and then get the brains behind one of the great bands of the last few years, The National, to produce it. Finally — take a deep breath — all the proceeds go towards the fight against AIDS. Dark Was The Night isn’t released until February 16th, but the scent on the wind is good. David Byrne and the Dirty Projectors’ opening track (listen below) is brilliantly fresh, while Yeasayer have channelled their wild spirits into a song textured as intricately as a Peruvian silk skirt, with a rainstick for effect.

The music behind the new Howling Bells album, Radio Wars

The last time I caught up with London-based, Australian band, Howling Bells, was in New York in early 2007 when they played a show at one of the many seedy Lower East Side bars. Since then, they’ve recorded a new album, the aptly named Radio Wars [listen to their song, Treasure Hunt, below], a remarkable follow-up to their 2006 self-titled debut. I checked in with guitarist Joel Stein to find out what music the four-piece had been listening to around the time the album was written: ‘The Byrds’ Eight Miles High always sounds so futuristic to me. It has one of the best guitar sounds ever and really moves me with its color and power. Every time I hear the Tortoise track, I Set My Face to the Hillside, I instantly get transported to the ocean. Beautiful! Joy Division’s Isolation is incredible. I love the intro keyboard riff, in particular (the keyboard was self-built). It expresses urgency and truth. And then there’s Neu!’s Hallogallo, a truly inspiring instrumental track that I always want to go on for longer. Its fuzzy guitars are so warm and vibrant. Perfect!’ Read frontwoman Juanita Stein’s Playlist of inspiring songs.

Nico Muhly’s Mothertongue

You may have already heard composer Nico Muhly this year on All Is Well, Samamidon’s lovely reimaginings of immigrant folk songs. (If you haven’t, you should). Mothertongue, Muhly’s second album and first for Brassland (run by members of the National), is divided into three acts. Read more

Wire’s Object 47

The title of Wire’s eleventh album — due for release on July 16 and their first since 2003’s Send — suggests some angular, nonrepresentational piece of AbEx sculpture, the kind that rejects all attempts to name it anything other than what it is. Which is more or less the case. Read more