Gorker!

Super Human exhibition at Melbourne’s RMIT Gallery

Showcasing works by leading Australasian artists, the Super Human exhibition re-frames the Cartesian body within contemporary culture. Focusing on Cognition and Neurology (Mind), Augmentation and Biological Manipulation (Body) and Nanoscale Interventions (the Soul, the ‘not visible’), the exhibition exposes aspirations and fears about our bodies and their extraordinary functions. The exhibition runs at the RMIT Gallery until December 5. Read more

Kristopher Ho

It’s windy, cold, and raining out. On days like this, looking at the intricate work of artists like Kristopher Ho feels like re-reading an old book that you loved as a kid but forgot about in your more cynical adulthood. Read more

FuFu Frauenwahl

Berlin-based comic book artist/illustrator FuFu Frauenwahl has a classic style that really appeals to me. They remind me of the Tales from the Crypt and Heavy Metal comics I used to read late at night when I couldn’t sleep. His Mollusk Head character is pretty gnarly too. Read more

Ken Taylor

Australian illustrator Ken Taylor has created imagery for some of rock n’ ’roll’s great purveyors of sound, from the Rolling Stones and Queens of the Stone Age, to Nine Inch Nails and the Mars Volta. He has an easily recognizable style that screams sharp edge cool. Bold and bawdy, Taylor’s pieces use vivid colour to create a cut-out-comic-like feel reminiscent of old movie posters from the 1930s and 40s.

Kelly Smith

Beautiful, delicate, fragile, a little bit collage, a little bit sketchfull. This is the work of Kelly Smith. Combining several mediums in a collaborative expose between pencil, paint and print to create timeless works of elegant splendour, it is easy to compare Smith’s works to the last snowflake of winter, fleeting but real, avoiding the brash bright mercantile world for the prettier climes of illustrative pleasure. Smith has a twelve-day exhibition on at the 696 Space in Brunswick, Melbourne, opening November 14.

Brandt Peters

Trapped in a time warp between then and now, the work of Brandt Peters combines an old school aesthetic with a modernity bordering on futuristic fantasy, with a touch of morbid fascination thrown in for good measure. In other words, he creates wonderful imagery combining cartoon-like pin-ups with sometimes freakish attributes (large skulled beings, for instance), and every now and then seems to throw in a nod to sci-fi — such as a mechanical glass jar — for good measure. Muted tones replace the bawdy colours often associated with such mediums, giving his pieces a whimsical, dream like quality. He must live in a delightfully wispy world.