Lost AT E Minor

Bicycle Film Festival

Now occurring in seventeen venues around the world, the Bicycle Film Festival certainly has its wheels turning and is well placed to ride into the future. Apologies for the terrible cliché. Anyway, the festival runs in Melbourne from Friday, Nov 21 until Sunday, Nov 23. There are seven programs of mixed films from around the world and bicycles are the only common theme. Read more

Ville Savimaa

Wow, here’s some work that just made my Friday all the sweeter. Finnish artist Ville Savimaa creates the most clean, beautiful, and bizarre images, filled with chunky, abstract characters and creatures, as if viewed through an old fashioned grainy, black and white lens. It feels a lot like the trippiest noir film you never saw. Even when colour occasionally comes into the mix, Savimaa manages to gracefully maintain that sculptural sensibility, leaving the viewer feeling as suspended as the characters themselves. Read more

Izzie Klingels

UK illustrator Izzie Klingels creates the loveliest, delicate black and white stippled drawings that she seems to find a myriad of endless applications for. Most interestingly, Klingels appears to do quite a large amount of work within the fashion industry, something of a minor coup for an illustrator in this day and age. Read more

Ken Taylor

Australian illustrator Ken Taylor has created imagery for some of rock n’ ’roll’s great purveyors of sound, from the Rolling Stones and Queens of the Stone Age, to Nine Inch Nails and the Mars Volta. He has an easily recognizable style that screams sharp edge cool. Bold and bawdy, Taylor’s pieces use vivid colour to create a cut-out-comic-like feel reminiscent of old movie posters from the 1930s and 40s.

Kelly Smith

Beautiful, delicate, fragile, a little bit collage, a little bit sketchfull. This is the work of Kelly Smith. Combining several mediums in a collaborative expose between pencil, paint and print to create timeless works of elegant splendour, it is easy to compare Smith’s works to the last snowflake of winter, fleeting but real, avoiding the brash bright mercantile world for the prettier climes of illustrative pleasure. Smith has a twelve-day exhibition on at the 696 Space in Brunswick, Melbourne, opening November 14.

Brandt Peters

Trapped in a time warp between then and now, the work of Brandt Peters combines an old school aesthetic with a modernity bordering on futuristic fantasy, with a touch of morbid fascination thrown in for good measure. In other words, he creates wonderful imagery combining cartoon-like pin-ups with sometimes freakish attributes (large skulled beings, for instance), and every now and then seems to throw in a nod to sci-fi — such as a mechanical glass jar — for good measure. Muted tones replace the bawdy colours often associated with such mediums, giving his pieces a whimsical, dream like quality. He must live in a delightfully wispy world.