Extra Life

WE'RE SUPPORTING

I once went to a Williamsburg party at which world renowed Card Stacker, Bryan Berg, was also in attendance. I’d been told beforehand about his ability to construct large scale models of cityscapes out of cards: using no glue, no outside support, and no trickery. Read more

WE'RE TRAVELLING TO

Mexican architecture firm Senosiain Arquitectos recently designed a shell-shaped dwelling for a Mexico City couple. The owners are already living in their new abode with their two very happy children. The structure is maintenance-free and earthquake proof, and is full of soothing greenery and smooth, rounded surfaces. Read more

WE'RE WEARING

You’d be hard-pressed finding a designer with a more impressive background than Jessie Hill. While most of us were waiting to outgrow our awkward teenage years, she was already on her way to Los Angeles. Leaving her Sydney home at just seventeen to pursue her love of fashion, it wasn’t long before Jessie Hill made a name for herself, styling cool kids like No Doubt and the Red Hot Chili Peppers. Read more

WE'RE THINKING

I’m so excited to have stumbled across the work of Berkeley, California artist Weston Teruya. On first glance, his work feels purely abstract, like black and white grids with dots of colour here and there, undulating across clean backgrounds. On closer inspection, however, perfectly rendered chairs, life savers, netting, plants and various ephemera come to light. I’m always excited when I come across an artist who can so successfully merge the realistic and abstract, and Teruya does it with aplomb. Read more

WE'RE READING

Fashion blogger Tavi is biting, witty, articulate, and stylish for any age. The fact that she’s only twelve makes her kind of over-the-top amazing. Already an accomplished photographer and astute critic of all things wearable, the sarcastic pre-teen is probably sick of being described as precocious, but she’s the very definition of the word.

The Diving Bell and the Butterfly is a reminder of why the medium of film is so special. It features first rate visuals, performances, direction and acting, all of which fits together into one of the most insightful, powerful and touching pieces of cinema ever. Read more

WE'RE LISTENING TO

Where would we be without synths and drum machines? Probably still listening to Grateful Dead jams in the alleyways of Height-Asbury. Done well, the remix is a wonderful thing. Case in point is Royksopp’s rendering of the Kings of Convenience track I Don’t Know What I Can Save You From. And then there’s Riton’s version of the Mystery Jets song, The Boy Who Ran Away. A White Lines for the 21st Century? I think so.