Music / Wire’s Object 47
The title of Wire’s eleventh album — due for release on July 16 and their first since 2003’s Send — suggests some angular, nonrepresentational piece of AbEx sculpture, the kind that rejects all attempts to name it anything other than what it is. Which is more or less the case. Object 47 is Wire’s 47th release, counting albums, EPs, and compilations. That means it comes with context intact: Even as the band work not to retread well-trod ground, these songs feature the same sociopolitical songwriting and tense interplay between drums and guitars as on previous albums. That’s a good thing. So are Page Hamilton’s (Helmet) blasts of feedback on closer All Fours.
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You may have already heard composer Nico Muhly this year on All Is Well, Samamidon’s lovely reimaginings of immigrant folk songs. (If you haven’t, you should). Mothertongue, Muhly’s second album and first for Brassland (run by members of the National), is divided into three acts. Read more
Patti Smith’s The Color of Coral
2008 is shaping up to be a banner year for Patti Smith. Not that she needs banners, parades, or the like, of course. But just in the first six months she’s already been the subject of three books, one about her first album (33 1/3’s Horses, by Philip Shaw), one a career overview/analysis (Praeger’s The Words and Music of Patti Smith, by Joe Tarr), and one a paperback edition of her Auguries of Innocence poetry book (Ecco Press). There are two more volumes due this year as well: Land 250, a collection of her photography being published to commemorate a Smith exhibition which ran March 28 – June 22 at the Fondation Cartier Pour L’Art Contemporain in Paris; and Patti Smith: Dream of Life, a photography book by filmmaker Steven Sebring intended to serve as a companion piece to his documentary of the same name. Read more
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Laura Veirs is one of my favorite songwriters. I can’t think of a single song of her’s that I haven’t loved instantly, and continue to wear out on my inner-ear iPod. I interviewed her recently, a few nights after I saw her awesome set at New York’s Gramercy Theatre. Read more
Despite their jarring name, British noise duo Fuck Buttons are surprisingly palatable. The band’s long, droning tracks are infused with sweet twinkles and sunny synth, but dark shards of ominous guitar overdrive and distorted screeches pierce the shimmering surface just when you’re ready to zone out. Danceable beats occasionally draw everything back together, creating a stormy, pulsing, and disorienting atmosphere.
Austin-based photographer William Hundley loves juxtaposing completely absurd and unrelated objects. Whether it’s fabric-draped people in mid jump or chihuahuas and Easter Island heads standing on cheeseburgers, Hundley takes an almost Dadaist joy in making random, giddily puzzling images. Read more
I’m super hyped about the Australian Summer lurking around the corner, so I’ve been on the lookout for some new protective sunnies for driving. Surprisingly, I found some uber-lovely Le Specs that look funky yet designer-esque due to the stylish sides. Read more
I almost had a heart attack the first time I entered Published Art. And I’m not even an architecture and design nut. This place is the shiz. As the name of the store suggests, Published Art is art published in book form. Their spectacular array of art, design and architecture books will bring a tear to the eye of any admirer of beauty. For Published Art, less is more. They make sure that they only keep the latest titles in stock so that every single one of their gorgeous hardcover books can be viewed from any part of the store. Read more
Oh man! To be young enough to bop, groove and scratch like these kids. For Japanese superstars DJ Sara (8 years old) and DJ Ryusei (5 years old), there’s no such thing as tomorrow. Read more
DJ Spooky — That Subliminal Kid — is just about the deepest crate digger around, trawling the barrels of long-lost record stores for choice vinyl to spin in his wickedly dubby sets. He gave us the inside word last week on his eight favourite songs right now via our sister website, My Secret Playlist. This is what he had to say about Lee ‘Scratch’ Perry’s Panic in Babylon: ‘If there’s anything that the twenty-first century has told us, it’s that dub is the real original hip-hop. Lee Scratch even had to make it clear in 1965 by adding “Scratch” to his middle name. Take that, Grandmaster Flash!’ Read the rest of DJ Spooky’s Secret Playlist.
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Lightspeed Champion performs The Kids unhinged
We met Lightspeed Champion (Londoner and former Test Icicles member Dev Hynes) backstage at Oxford Arts Factory at precisely 4.15pm. Read more
There are two Americas: one which strives to create its own culture, music, and art with a strong sense of ethics in mind, and another that drinks 32-ounce energy drinks before waiting on line to get into a club packed with women trying to get back at their overbearing fathers, and homophobic men with a fondness for Axe body spray. How do we bridge the divide?
Alison Malone on her Daughters of Job photos
A couple of weeks back we featured the work of New York-based photographer Alison Malone, who went into the secretive environment of the Job’s Daughters to photograph the girls who are direct blood relatives of the Master Masons. This is the second part of that interview. Read more
Kristin Baker’s paintings strike the eye like massive Hollywood blockbusters, but have the elegance of delicate watercolors. Read more
Sam Weber on his favourite emerging artists
We asked illustrator Sam Weber to give us the inside word on some of the young artists who have caught his eye recently: ‘Francis Vallejo, Yoko Furusho [above], and David Jien [below]. For up-and-comers, they are a few with some really amazing work’. Read more
We have a stack of CDs and DVDs to give away to a lucky new subscriber who signs up to receive our free weekly email publication between now and New Year’s Day. There’s 50 new CDs in the pile, along with a handful of DVDs. So sign up now and leave a message here telling us what album you hope will be in the pile!
The Demekin is an ultra compact camera with a preference for wide angles. It is the world’s first 110mm film camera with the fisheye lens, which gives each shot a soft focus, creating a gentle curve within the frame. We have them in the Lost At E Minor store for just $55. Read more
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