
The sea is calm
Hello, my name is Zolton and I’m a non-dancer. That’s right, a non-dancer. I choose not to dance for the mental welfare of others, though my inability to shake and roll with the best of them can probably be traced back to the Id, the Ego; that darn voice that sits somewhere at the back of my head and reminds me that any inclination to hurl myself about the dancefloor will not go down well in public. So I choose not to. Heck … it’s my party and I’ll sit quietly and observe if I want to. In fact, I propose a coalition of like-minded souls. A union of non-dancers. Together we’ll mope about the fringes of every damn dancefloor, shooting daggers at those loudly dressed cats with their JK moves. And if our feet tap awkwardly in time with the snare, then so be it. We feel the rhythm. We just choose not to express it. Which is not to say I don’t have my outlets. Why is it, for instance, that every time I see the film-clip to Daft Punk’s ‘One More Time’ I want to peel back the screen and join that wonderful anime landscape — to live in their saccharine sweet world with a pet monkey by my side that always has my best interests at heart. Now that’s true friendship. Ah … pure unadulterated escapism. I’d give my kingdom for just ten minutes of the stuff. And while I concede that a barrow full of CDs doesn’t go far these days, I’m sure someone out there will make me an offer I can’t refuse. [painting by Brian Despain]
Also by ZOLTON
Crimea X is the coming together of two offbeat, disparate characters, DJ Rocca (Ajello, Super Sonic Lovers, Maffia Sound System) and Jukka Reverberi from 90s Italian glam cult rockers, Giardini di Mirò, who have often have been compared with the sound of Mogwai, Arab Strap, and Godspeed You! Black Emperor. We asked them about their favourite music and they started with The Smiths song, Ask [listen below] ‘I saw them playing live on Italian TV. It was during the 80s when I was extremely young, and I’ve never stopped listening to this song’. Read the rest of Crimea X’s Secret Playlist.

I love the curated selection of abandoned swimming pool photos on Feature Shoot today, featuring work by Carlo Van de Roer and Albert Jodar, amongst others.

Win a set of Sony personal audio prizes
Thanks to Sony Australia, four Lost At E Minor readers will win personal audio prizes, including the new 8GB Walkman S series video MP3 player and the MDRXB500 Extra Bass headphones. Read more
YOU'RE SAYING (3)
Grace said | 22 November, 2007
“I choose not to dance for the mental welfare of others”
That’s crap. What a cop out. You can’t blame your refusal to dance on the judgmental opinions of others. You’d never do that with your writing, so why do it with your dancing.
Dancing is fundamental. Everyone gets the urge but few have enough confidence to indulge it.
Men who dance are dead sexy. I love watching goofy-looking guys dance awkwardly. Like you, they’re probably aware that they aren’t Baryshnikov, and yet they refuse to deny themselves the joy of dancing simply because others may judge them. That degree of self-confidence is extremely attractive.
When a guy tells me he won’t dance because he “can’t” I immediately drag him onto the dance floor.
Seriously Zolton, stop encouraging people to not dance.
It’s a disservice to your patrons.
Andy said | 29 June, 2008
Ha, I can understand this Zolt… but for me, I absolutely love hurling myself around the dancefloor, regardless of how it may look. If others get a laugh out of it, then so be it
I guess it’s a bit more acceptable in these crazy Central American warehouses than the clubs of NYC.
HAVE YOUR SAY
Born in a sub-provincial city of China, and raised in the suburbs of Northern California, Brooklyn-based artist Jing Wei attended the Rhode Island School of Design where she ‘developed a great affinity for printmaking, snow, and pizza’.
I almost had a heart attack the first time I entered Published Art. And I’m not even an architecture and design nut. This place is the shiz. As the name of the store suggests, Published Art is art published in book form. Their spectacular array of art, design and architecture books will bring a tear to the eye of any admirer of beauty. For Published Art, less is more. They make sure that they only keep the latest titles in stock so that every single one of their gorgeous hardcover books can be viewed from any part of the store. Read more
I recently bought a 1960 Oyster Perpetual Datejust and I love it. Read more
Preferring to focus on the content of her pictures rather than the style is a refreshingly honest approach to design. It’s worked out brilliantly for Swedish illustrator Alexandra Falagaras, whose works are easy to spot with their sharp graphic style. My favourite piece of hers is a contribution to The Book of Dreams, a project where kids’ dreams are collected then illustrated by artists.
As someone who thinks more about traveling than actually gets to do it [damn, it should really be the other way around], it was good to come across the latest batch of Wallpaper* city guides the other day. Living vicariously through the pages of the Berlin edition at least made my next choice of holiday destination that much easier. Read more
Rarely is a film politically poignant as well as wonderfully written, acted and shot. The second feature from director Kimberly Peirce of Boys Don’t Cry was inspired by her brother, who joined the army, and was only possible after months of meticulous research. Read more
David Holmes’ fourth solo album has been a long time in the making. The man who is best known for his scoring of films such as Ocean’s 11, 12 and 13, and remixing for bands like U2 and The Manic Street Preachers, took just over ten years to make his latest album. Read more
WE'RE POSTING / SOME OF THE BEST

Check out Mike Stimpson’s Lego reinterpretations of classic photographs. Stimpson’s version of Malcolm Browne’s iconic 1963 photograph of the self-immolation of Thich Quang Duc is particularly twisted. Read more

Alex Passapera’s dizzying pen and ink drawings are cascades of images melting into one another, often looking like contorting, mutating creatures spewing blood-like ink splatters. Read more

Our celebrity-saturated culture makes many of us irrationally hateful of the faces we see on our TV screens and magazine pages. Good thing there’s Celebrity PunchOut to let off some of that steam.

Italian-born, New York City-based photographer Paolo Ventura creates fairy-tale like pictures out of amazingly constructed, miniature dioramas that almost trick the eye into thinking he’s a tilt-shift photographer. Read more

Good thing Kris Kuksi channelled the trauma of growing up with an alcoholic stepfather, his disdain for ‘the typical American life and pop culture’, and his fascination with the macabre into obsessive, baroque assemblages, paintings, and drawings. Read more
Thanks to Sony Australia, four Lost At E Minor readers will win personal audio prizes, including the new 8GB Walkman S series video MP3 player and the MDRXB500 Extra Bass headphones. Read more
Printed on premium 100 percent combed cotton 150 gsm shirt, this Three Wise Robots graphic t shirt out of New Zealand label is damn soft and comfy. We have it for sale in the Lost At E Minor online store. Read more
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Lost At E Minor: Music, illustration, art, photography - from Australia and beyond » Miriam Chatt said | 23 August, 2006
[...] Nice thematic work from Sydney-based artist, Miriam Chatt, who ‘makes art in her free time to fully satiate her appetite for colours, textures and shape. She has a CMYK chart on her wall and can wax expertise on typography, but she can also knit your nana into shame. Her obsessions include maps, masquerade and textiles and her work is interested in the aesthetic tensions of consciousness and anatomy’. This photo is part of a series of self-portraits shot in a structured setting. ‘I have hand made coloured filters similar to those attached to Holga Cameras, resulting in thematic, spectral images exploring concepts of identity, displacement, masquerade, sexuality, loneliness, and youth’. They will be on display as part of an exhibition at Mori Gallery, Darling Harbour, Sydney, between September 6 and October 4. [see also Caroline McCredie; Terry Palka] [...]