
No Age’s Nouns
No Age are doing something different to the mass of noise-laden, guitar-drum duos canvasing the lo-fi airwaves at the moment. I’m just not sure quite what. Their album, Nouns, is receiving top-rate reviews after sell-out crowds after screaming, obsessive fans. The music is simply massive: a vast landscape of heat haze, somehow both tranquil and manic, punctuated by singer Dean Sprouts backdrop of barely intelligible vocals and Randall’s distorted, archaic sounding drums.
Tagged: duos, experimental music, Los Angeles bands
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These heady times call for heady music, something spaced-out, trance-y, weird, and devilishly ecstatic to distract us from reality. Chicago’s Cave heeds this call for musical escapism, channeling Hawkwind, Kraftwerk, funk, and tribal frenzy into their mothership-beaconing groove.

The latest in the flurry of experimental Brooklyn bands, Telepathe, have attracted some serious attention since the release of their debut LP Dance Mother last week. Although produced by TV On The Radio’s Dave Sitek — enough of an accolade to draw thousands alone — the band are by no means riding on the crest of his wave. The sound is distinctive: synth-heavy backing dropped behind looped harmonies and chants, creating a sinister and compelling musical experience. One can guess at the influences — Gang Gang Dance, Animal Collective, Battles, and so on — although Telepathe stubbornly refuse to let this direct the music, adding a lick of 80’s paint to the equation and peeling off on their own unchartered course.

Canada seems to be the land of amazing ambient metal duos. Montreal has Menace Ruine, and Toronto has Nadja, a formidable couple that churns out huge-sounding, bass and electronics-driven doom that draws your gaze up towards the stars just as old cathedral ceilings humble the faithful and make them think of the Almighty.
Also by FRANCIS ANDREWS

James Mackay’s Even Though I’m Free I Am Not
Award-winning photojournalist James Mackay’s latest project comes at a time when the world’s eyes are fixed on Burma and the trial of Aung San Suu Kyi. By photographing former political prisoners displaying the names of their colleagues and friends who remain behind bars, Even Though I’m Free I Am Not exposes the enduring pain faced by Burma’s opposition movement. Over 2,100 activists, journalists, lawyers and politicians languish in prisons across the country, and on Friday Aung San Suu Kyi will likely join them. Read more

The blind date of the food world has finally arrived, and it’s proving more palatable than the awkwardness of an evening spent in superficial conversation. Secret Supper clubs are springing up in the backstreets of London: what are attics and living rooms by day get converted into makeshift restaurants catering for an evening of surprise tastes and conversations. Read more

Young British designer Adam Farlie takes a leftfield approach to how people experience interaction with objects, often taking everyday items and toying with their potential to harbour deeper meaning and greater usage than first perceived. He transforms a bed into a ‘vessel that captures and contains the audio-memories of past occupiers through sound’, allowing those who lie on the bed to recall past intimcaties or conversations from years ago, while his take on a chest of drawers’ purpose of holding records of people is similarly intriguing.
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I love the ominous, moody atmosphere of young Swedish-Finnish photographer Martina Lindqvist’s landscape shots. She’s only just graduated from university, but already has the Jerwood Photography Award 2008 under her belt and a spot in the prestigious UK Portfolio Magazine. Much of her work is done in Finland: there’s a real dream-like surreality to the images she captures and a great use of light against dark backdrops. Read more
There’s something compelling about the energy, the charisma, and the incessant pmmft, pmmft, pmmft of the slippery ghetto tunes blasting (and I mean blasting) out of every hotel, café and bar in South Beach, Miami. Read more
Finding an original accessory these days is a bit of a rarity. I mean, when every second person you see is wearing one of those damn Palestinian scarfs, you know the industry is crying out for a fresh take. Enter Sydney-based jewellery label August + Pemberton. Read more
I’ve always had this urge to experience the great American outdoors, that picturesque world that I’ve seen in countless John Candy reruns. Yes, I’d stay in a rustic log cabin, surrounded by chipmunks and coyotes and sing John Denver songs by the fireplace. Hmmm. Maybe I’ll make it happen one day. Maybe? Nah. [painting by Mark Ryden]
I’ve been a big fan of Michelle Vandermeer’s work since I came across her Mini Majellen zines at this year’s Sydney Writers Festival. Describing herself as a doer — as in one of those people who are always doing or making something — Michelle’s work, which includes book binding, illustration, jewelery making and her zines, stems from an internal creative springboard and a double degree in architecture and graphic design. Her work is smart and succinct. Read more
Australian group Pivot have recently signed with the mighty Warp label and — even better (well, for us anyway) — have written a fun Secret Playlist for us. You can see where the many disparate influences have seeped into their latest recording, the beautiful and colourful, O Soundtrack My Heart.
Skeletonbreath pound out some pretty raging post-punk anthems with a violin taking the lead rather than a vocalist. The trio can get surprisingly loud, despite frontman Robert Pycior’s classically trained virtuosity.
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Yum, yum, cupcakes are fun. These creations are so clever, so arty, so damn bizarre that it would almost be a shame to eat them. Almost! Read more

1970s and 80s Soviet Union buildings
Cambodian born photographer Frederic Chaubin is the editor of French magazine Citizen K. His photo series on bizarre buildings built in the former Soviet Union during the 1970s and 80s is absolutely fascinating. Read more

Charlie Immer’s pastel-pallete sometimes obfuscates the gory violence in his surreal images. At other times, it heightens the gut-wrenching and visceral effect of his work. Read more

Forget battery powered vehicles. Cars made from ice are the future of transportation: no pollution, no honking horns, no painful rap music blasting out of souped up stereos. And if they melt, they melt. You just swim the rest of the way down the slipstream.

Good thing Kris Kuksi channelled the trauma of growing up with an alcoholic stepfather, his disdain for ‘the typical American life and pop culture’, and his fascination with the macabre into obsessive, baroque assemblages, paintings, and drawings. Read more
Thanks to Sony Australia, four Lost At E Minor readers will win personal audio prizes, including the new 8GB Walkman S series video MP3 player and the MDRXB500 Extra Bass headphones. Read more
This beautifully soft, handmade and dyed scarf is by the New York-based designer, Ryan Sullivan. They can be purchased through the Lost At E Minor store. Read more
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