Lost AT E Minor

Erica Eyres

I love art that scares me a little. Erica Eyres somehow manages to make subtly unnerving drawings of distorted figures using nothing more than a ballpoint pen and a piece of paper. She renders shockingly realistic hair, yet skews the proportions and features of her subjects, exaggerating their expressions and making them look monstrous.

New Practical Heritage

Herzog and de Meuron, the Swiss architects, have led the way with this re-use of the existing building fabric of CaixaForum in Madrid. Rather than being slavish to the existing openings, the building has been cut away for a contemporary practicality. We think this is an example of heritage not getting in the way of progress. Check out a similar concept of a previous post re-using the city fabric, where we were dreaming of such thing.

Micah P. Hinson takes the good with the bad

We said a few weeks back that Micah P. Hinson is ‘like every rustic, broken down, and pieced back together country great that’s ever been. Only hipper and slightly less sombre’. With that in mind, we spoke to him recently and asked him whether his hometown of Texas was a difficult place for a young, aspiring musician to grow up in: ‘The boredom of Abilene [Texas] helped the creativity. There wasn’t much to do to fill a person’s time, so you had to find ways of filling it. So as far as music, this was helpful. But regarding other extralegal activities, it was not so helpful. But you know, you take the good with the bad, mix it up, and see what pops out’. Read more

TV

The last time we heard from Melbourne label TV, they were busy preparing for their debut at Rosemount Australian Fashion Week. Since then, the girls behind one of this year’s most talked about labels have delivered a stunning collection. Read more

The Dodos’ Visiter

Like a packet of perfectly seasoned pistachio nuts, I can’t put this album down until it’s well and truly finished: until every last morsel of taut, snappy percussion and hypnotic vocals have been digested. They’re like Animal Collective at the wind-down hour - slightly more stabilised and with the psychotic fits tempered into a soothing, trance-inducing pace. Somehow it’s also immediately catchy, laced with subtle hooks and soaring backing vocals. It’s the sort of sound that sucks you into their warm world, likely to cause you to miss your bus stop if your mind sinks too far into the rich chasm of tracks like Red and Purple [below] or The Ball. Listen closely, because this might well be one of the releases of the year.