Pint Price

WE'RE SUPPORTING

New York and Zurich-based artist Urs Fischer’s entropic sculptures and installations blows apart people’s expectations of what to expect at a gallery. Last year’s installation, You, at Gavin Brown was a 38-foot-by-30-foot crater dug into the gallery floor. His huge, ambitious works seem frantic and impulsive despite the immense planning and meticulous execution they often require. His mockery of physics, and the enormous scale and shock-and-awe quality of his work suggest the god-like potency of an artist, at least within a gallery space. Read more

WE'RE TRAVELLING TO

There’s something quite captivating about the muted tones and soft textures of Anna Fraser’s photographs. The Australian designer has a very precise sense of framing, which is reflected in the slightly insidery, but beautifully balanced perspective that her work provides on places and scenery that only few people ever get to experience. By her own admission, Fraser ‘prefers things that are not usually very fashionable. Like beige, lots of beige and maybe a bit of taupe’. We think she might be onto something. Read more

WE'RE WEARING

Just when I thought my favourite flip flops couldn’t get any better, Havaiana are still offering their thong straps laced with Swarovski crystals. I reckon the bling bling lover in you won’t mind forking out a little extra moolah if it means adding some sparkle to your Havis. Read more

WE'RE THINKING

Katy Smail’s illustrations are kind of like candy floss sticking to wind blown lips — sweet, tempting, yet always just a little bit out of reach. Read more

WE'RE READING

Yes, we’d like to believe we’re all adults, but sometimes, after a few beers, it’s fun to play a game of Who’d You Rather? Read more

WE'RE WATCHING

Films involving characters faced with an impossible choice never make easy viewing, an example being the Nick Cave Australian gem, The Proposition. A nightclub manager, played with understated power by Joaquin Phoenix, is the victim here, and you actually feel truly uncomfortable as his predicament unfolds. Set in the 1980s, We Own The Night shows a real nostalgia for that period — particularly in the costumes. Read more

WE'RE LISTENING TO

A culmination of nearly four years of writing and recording, Omaha quintet, The Faint are preparing to release their fifth album, Fasciinatiion, on August 5 on the band’s own newly-formed label, blank.wav. Working without any time constraints, the songs went through many recorded incarnations before finding their final forms. The result is the best album in the band’s career, a record that is the purest culmination of The Faint’s brilliant musical instincts, ideas and aesthetic, with each member contributing equally to its creation.