Forever Tuesday Morning
Andrew Fagan, lead singer of The Mockers, the poppiest New Zealand band of the 80s, came around to my place once when I was an impressionable 10-year old with stars in my eyes and a head full of shiny, shiny melodies. My mother was friends with Fagan’s brother, so she organised for the charismatic frontman to come over to our Wellington terrace (where we lived at the time) and chat to me about the band. I vividly remember the sight of him loping up our driveway, dressed like a modern day Oscar Wilde, continuing past our front door and into the back garden, where he helped himself to a t-shirt full of juicy apples off our tree. Ah, such is the life of a Kiwi pop star. We talked for an hour, or at least, he talked for an hour, and I listened, invigorated by his stories and increasingly resolute in my own dreams to one day strut upon the same well-worn stage. Of course, that wasn’t to happen. But at least I have the memory, and this song, Forever Tuesday Morning — an irrepressible burst of sunny day splendor.
Tagged: New Zealand, New Zealand music, pop music
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Back in the day, when I was a skinny teenager on the great pedestal of life, I had a real obsession for the understated, low-fi, deliciously melodic and somewhat blurry sounds of the New Zealand Flying Nun bands. I would pool my meagre savings and canvas the local record shops, scouring the racks for the latest cassettes from The Bats, The Chills, The Clean, and, later, The Straitjacket Fits. Read more
There was a time, many moons ago, when I would only listen to bands off New Zealand’s Flying Nun label. Yup, I would strap myself into a comfy chair, put my headphones on and, armed with a chunk of chocolate coated Peanut Slab and a can of L&P, soak up album after album of wonderfully self-indulgent low-fi melancholy. Read more
At first listen, The Chills were like nothing else when they burst out of the relatively cloistered confines of the Dunedin student set way back in the early 1980s. Only, in retrospect, they were kinda like so much of the rest of the Flying Nun roster: lo-fi, wearily melodic, understated, and joyously brash in their use of lush vocal harmonies and ringing guitar licks. It was simply divine. And the first time I heard this song, Heavenly Pop Hit, I thought it was exactly that: the most decadent single imaginable. Some twenty years later, it still sounds fresh. [Click here to listen to Heavenly Pop Hit]
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