Ronald Llanos
I love the rich color and strong thematic imagery in the artwork of Ronald Llanos.
Tagged: Californian artists, colour, portraits
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Jörn Kaspuhl’s vibrant illustrations
Jörn Kaspuhl was born and raised in Stade in Northern Germany. In 2002, he moved to Hamburg and started the education in illustration at the University of Applied Sciences (expected graduation later this year). He has been working as a freelance illustrator since the summer of 2006.
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Win a set of Sony personal audio prizes
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Many years ago, the Italian designer Fupete and I collaborated on an issue of the magazine I was editing at the time, STU, his intricate art direction giving space and life to the cacophony of illustrations and photography bursting from its pages. The guy is one hell of an art director, and a brilliant designer as well, his latest work revealing his well-developed sense of shape and texture, which meshes seamlessly with his subtle use of color gradients. Read more
Anything goes in New York, even a white peacock in the middle of Manhattan. Yes, a white peacock! Who says the Upper West side is ‘upstate?’ Come visit one of the most beautiful neighborhoods in New York, which host the famous Cathedral of St. John The Divine (112th St. and Amsterdam Avenue). Read more
This nifty little Royal Elastics package includes a pair of Sosei shoes, two Homogeny tees, a Homogeny scarf, and two Homogeny figures that come together to make one. Sweet! Read more
Artist C.D. Richardson uses some pretty amazing collage techniques to create terrifying, cryptozoological illustrations of monsters and freaks out of old medical and scientific photographs. Read more
Rack is a quarterly bilingual magazine, published in English and Chinese, and geared towards Asian influenced global youth culture. Read more
The Liars were in the Netherlands recently and we came across some kids doing this dance. It’s really bizarre to watch. Read more
Austin-based Future Clouds and Radar, the eclectic art-pop ensemble headed by Robert Harrison, has recently released its sophomore recording, Peoria. Where their self-titled debut album showed Harrison as the central figure in a large musical cast, Future Clouds and Radar’s latest offering finds the core band focusing their kaleidoscopic vision into a single cinematic narrative about the illusory nature of mortality. Throughout, Harrison stays true to his genre-hopping eclecticism, leading the journey through a maze of fuzz-box vocals and ethereal keys.
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