Yeasayer live
Those bowled over by Yeasayer’s debut, All Hour Cymbals, would take a true battering at one of their live shows. The band’s recent string of gigs at the Institute of Contemporary Arts in London may well rank among the top performances the venue has hosted in recent years. Pounding the crowd with a barrage of swirling synths, deep kicks and the apocalyptic vocals of frontman Chris Keating, Yeasayer create a massive wall of sound that climbs and climbs like a tidal wave threatening to crash down on your head. Keating swaggers around the stage in a faux whiskey-induced stupor, howling down the mic with a combination of agonised cries and measured harmonising. A subsequent listen to their album drills home the idea that to truly understand the point of it — the concept that wasn’t justifiably realised on All Hour Cymbals — one needs to experience it in the flesh.
Tagged: Brooklyn, New York, New York bands, pop music, Yeasayer
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Some friends and I serendipitously stumbled across the work the artist Hiro Kurata the other night and we have been jointly obsessing over it since. Kurata’s work is torrid, moody and fragmented like a restless dream. Bursting with texture and patterns, it’s simply brilliant. As my friend Andrew Degraff accurately put it, ‘It’s like Savador Dali thrown through a plate glass window’. Indeed. Read more
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Joe Coleman’s paintings are a feverish cross between Ivan Albright-inspired grotesqueness and R. Crumb-like pop-social critique. Read more
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Lost At E Minor: Music, illustration, art, photography and more » Yeasayer on Late Night with Jules Holland said | 23 April, 2008
[...] many times can we play the same song in different settings? Hmmm, I don’t know. But it is a hell of a song, from a hell of a band, as that uniquely [...]