joe koller
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Joe Koller

The work of Californian artist Joe Koller channels his two major influences: surfing and the arts. His inspiration from the ocean is a constant undercurrent in his photographs of nature, urban landscapes, and travel shots. After a few group shows in Southern and Northern California over the past two years, he’ll be launching his first solo show — Adrfit — at San Francisco’s Space Gallery on April 27th.

joe koller

 

joe koller

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Eco-friendly Hummers. Architecture design competitions in Second Life. Sign up for our free email newsletter and find out about the flying car you always wanted when it's finally invented.

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YOU'RE SAYING (1)

Niles Standish said | 5 April, 2008

Joe’s work really displays a simplicity and ambiance that’s rarely seen with modern day photographers. His goal isn’t to make glossy, sharp photos but rather dreamy landscapes which make you yearn to travel along with him on these journey’s. I can’t wait to see his solo show in SF! Double it!

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I love the finely rendered, graphic (yes, rendered and graphic) work of illustrator John Malloy. His charmingly quirky sensibility is the crowning element of his work.

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Ten Masked Men are a British parody band that does death metal covers of famous pop songs by Ricky Martin, Christina Aguilera, Madonna, and many others. One of my favorites is their cover of Justin Timberlake’s ‘Cry Me a River’. It’s epic.

A Melbourne native once said to me: to find the good bars, you have to look for the bins in alleyways. Section 8 totally fits that quota. It is a bar that is a. in an alleyway, and b. filled with trash. As enticing as that sounds, I must make it clear that the alleyway is actually an old carpark in Chinatown and the trash is not exactly trash. But don’t let that stop you. Section 8 is pumping. Filled with forklift pallets for your seating pleasure, this little bar-that-could (also known as the Container Bar) makes a refreshing beverage and plays super cool beats all night. Read more

This Is My England is both the blog and the pen name of a Londoner who looks at things up close. The photography zooms in on the small details of the decay and strangeness under the surface of the taken-for-granted things all around us. Many of the short poems here do roughly the same job.
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Analog electronics by British outfit Belbury Poly (Jim Jupp and Eric Zann) make me believe machines have souls and the ghosts of obsolete recording devices are haunting the dusty stacks of libraries debating the relevance of 60s avant-garde music and counterculture.

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If you have a Twitter feed that focuses on cool pop cultural things and you’d like to swap Tweets with Lost At E Minor and other like-minded Twitterers, drop us a note (with Tweet Swap in the title). We have a system in place and we’d like to have you in on it! [illustration by Brad Fitzpatrick]


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