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Music / Cut Copy interview

Melbourne’s Cut Copy is the hottest electro act out of Australia right now. We spoke to Mitchell Scott from the group to get the lowdown on their musical highground. Long live the 80s huh! Where would we be without fluro colours, synths and poppy chorus hooks. Any oft-neglected trend from that decade you think should be brought back in? ‘Polystyrene packaging, smoking on planes, slap bracelets, wearing just one glove, Ghostbusters’. Does Melbourne still have a dynamic creative scene? ‘I think it really does — there’s no shortage of people in Melbourne doing amazingly cool things creatively, whether it’s music, art, fashion, or design. There’s a lot going on. Also, for music, there are a million venues, so bands have places to play’. How was the album artwork conceptualised? ‘When we came to thinking about the album cover art, we wanted something photographic, rather than creating graphics. However, we also wanted something that was a bit colourful, a bit strange and that would be striking and interesting to look at. So we came up with the idea of photographing ourselves and then projecting the photos onto ourselves with colours and lights also projected. We ended up really pleased with the end result. And we’ve got some pretty cool plans for how the CD cover gets manufactured, which should be cool if it turns out how we hope’.

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YOU'RE SAYING (2)

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Lost At E Minor: Music, illustration, art, photography and more » Cut Copy’s In Ghost Colours said | 31 March, 2008

[…] was late afternoon in Sydney on a rare sunny summer’s day when I pressed play on Cut Copy’s latest album, In Ghost Colours, and immediately felt like I was in the midst of an awesome chilled out holiday. […]

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Lost At E Minor: Music, illustration, art, photography and more » Plastic Operator said | 26 April, 2008

[…] their first three track EP. Their music reminds me of bands like The Fashion, Crystal Castles and Cut Copy. More recently, Plastic Operator have been taking their sound to the major clubs and parties across […]

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We featured red hot Brooklyn band Yeasayer on Lost At E Minor a few months back, so we thought it was time we checked in with keyboardist-sampler, Chris Keating. Read more

I tossed and turned through three chapters of an epic Russian novel last night. Or so it felt as a constant stream of characters made their way past the stringent casting couch and into the deepest reaches of my dreams. Read more

This water theatre by the British architect, Sir Nicholas Grimshaw of Grimshaw Architects, takes the form of a vertical seawater greenhouse, with the evaporators and condensers stacked vertically to maximise yield. The structure is not only a visible engine of sustainability but is also a large theatre auditorium. Read more

The indie, electronic pop duo Plastic Operator paired up whilst studying audio production at London’s Westminster University. In 2004, they released their first three track EP. Their music reminds me of bands like The Fashion, Crystal Castles and Cut Copy.

The very talented Jess Snow, the first video artist to be featured by Female Persuasion — the original site for provocative and political female artists — has created this ethereal short video for Lost At E Minor. We feel it. We love it. [see also the promo video Lifelongfriendshipsociety created for us]

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George Lois is the god of good ideas, or at least one of them. When I am stuck on ideas, I pray to George the God, or look through his works in hope of doing something one hundredth as good as his work. Read more

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For the rest of this week, we have eight copies of the Anton Corbijn directed DVD, Control — the story of UK band, Joy Division — to give away to randomly selected new Australian-based Lost At E Minor subscribers. Read more

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