Nick Deakin

WE'RE SUPPORTING

Hindu, Greek, and Buddhist mythology informs the work of Brooklynite Chitra Ganesh, who makes cryptic, surreal sculptures, murals, installations, multimedia drawings, and photography that draw from Indian comic books, Bollywood posters, and other ephemera of South Asian culture, as well as 19th century portraiture, anime, and the standard touch stones of a globalized psyche. The absurdity and sexuality of her work present the war between modernity, tradition, and nationality over the idea of femininity – her figures are almost entirely female, and watchful, menacing eyes are a common motif in her work. A lot of her stuff is reminiscent of Raymond Pettibon, in a good way. Read more

WE'RE TRAVELLING TO

This water theatre by the British architect, Sir Nicholas Grimshaw of Grimshaw Architects, takes the form of a vertical seawater greenhouse, with the evaporators and condensers stacked vertically to maximise yield. The structure is not only a visible engine of sustainability but is also a large theatre auditorium. Read more

WE'RE WEARING

This pendant by Portland designer Stephanie Stimek hangs from an eighteen inch 14 carat gold chain. Made from a Japanese quail egg, the entire shell has been coated in plastic for strength and is available for purchase through the Lost At E Minor store.

WE'RE THINKING

Though artistic genres from the last couple centuries inform Marc Burckhardt’s style, he is not a period fetishist. The playful way in which he incorporates visual jokes and modern themes has a simplicity to it, making each of his images self-contained and elegant. Read more

WE'RE READING

Before MTV, MySpace, and viral marketing, album covers had the potential to make or break a band. First impressions count, and many a music geek have purchased albums on the cover artwork alone. So what these guys were thinking is simply beyond me. Although, if anyone has a spare copy of Devastating Dave the Turntable Slave then I know someone, ahem, who could take it off you. Read more

WE'RE WATCHING

Films involving characters faced with an impossible choice never make easy viewing, an example being the Nick Cave Australian gem, The Proposition. A nightclub manager, played with understated power by Joaquin Phoenix, is the victim here, and you actually feel truly uncomfortable as his predicament unfolds. Set in the 1980s, We Own The Night shows a real nostalgia for that period — particularly in the costumes. Read more

WE'RE LISTENING TO

Not all dark, epic music has to be harsh. British songstress Rose Kemp builds operatic folk tunes that crescendo from acoustic, string-infused atmospherics into menacing, down-tuned heaviness, drawing as much from Neurosis as she does from PJ Harvey, Kate Bush, and even Massive Attack. Read more