Pangea Day

WE'RE SUPPORTING

Alison Brady presents the human form as if it were either a strange plant or a plastic toy uncovered in a middle-American backyard. At once disturbing and whimsical, Brady’s images depict bodies ill-fitted to their environments, as if they were discarded, forgotten, or malfunctioning. Read more

WE'RE TRAVELLING TO

Instead of demolishing the old Paddington Reservoir, architects TZG have incorporated into the design a new outdoor public garden in Paddington, Sydney. The results are stunning, with the nineteenth century structures providing an amazing starting point. Looking less like a garden and more like an overgrown ancient city, with the remnants of historic walls and vaults, this new public space is well worth frequent visits.

WE'RE WEARING

With waiting lists and pre-orders already taking place, there’s enough competition for this label without sharing it with the world. But what the heck. A little bit of fashion karma never goes astray. So listen up ladies. If you haven’t heard of Aussie label Maurie & Eve, you need to pay attention. Because their current collection, ‘End of the Line‘ is due to sell out as soon as it drops during October. Read more

WE'RE THINKING

I managed to swing by the SVA Graduate Illustration show the other night and couldn’t believe how much amazing work there was. One particular illustrator I couldn’t tear myself from was Youngsun Liu. His work is pure texture and color, just the way I like it.

WE'RE READING

This website hosts a nice collection of quirky, sometimes mind-boggling, sculptures from around the world. There’s a certain Dali-esque feel to a lot of them – those surreal, dreamy hallucinations turned into a warped reality. I’ve always been a sucker for art that really catches you out for a few seconds, and these certainly do that.

Artist David Shrigley’s animated music video for Blur is so simple, so sweet, so perfect. I don’t know how many times I’ve watched it, yet it still makes me cry every time.

WE'RE LISTENING TO

Korean-born Okkyung Lee, who has found a niche amongst the regulars at John Zorn’s The Stone, makes intricate cello improvisations based on her classical and jazz training, following a path forged by the likes of Tom Cora, but veering off into her own stranger, noisier directions.