Lost AT E Minor

Shadows and Dust

When it comes to making an entrance, nothing says rock star quite like a pair of leather pants. If you’ve tried this look at home, you’d know that finding a flattering leather statement piece is much harder than it looks. So it’s lucky for us that leather is Melbourne label Shadows & Dust’s specialty. Designer Stephen Jones sources skins from all over the world to create butter-soft ruffled jackets, skinny trousers, vests and shorts. And what makes this label stand out from the rest is that it takes three workers an entire day to create each unisex leather garment. In a society of mass manufacture, that’s what we like to call a rarity.

Hiro Kurata

Some friends and I serendipitously stumbled across the work the artist Hiro Kurata the other night and we have been jointly obsessing over it since. Kurata’s work is torrid, moody and fragmented like a restless dream. Bursting with texture and patterns, it’s simply brilliant. As my friend Andrew Degraff accurately put it, ‘It’s like Savador Dali thrown through a plate glass window’. Indeed. Read more

TV

The last time we heard from Melbourne label TV, they were busy preparing for their debut at Rosemount Australian Fashion Week. Since then, the girls behind one of this year’s most talked about labels have delivered a stunning collection. Read more

Brian Ulrich

I love the sense of intimacy about the work of Chicago-based photographer, Brian Ulrich. His retail project Copia ‘is a long-term photographic examination of the peculiarities and complexities of the consumer-dominated culture in which we live’. We interviewed him recently and asked him what camera he uses once he gets inside a store he’s photographing: ‘For many of the pictures in the Retail project I used a medium format SLR with a waist level viewfinder. Having a finder that you can look down into instead of holding it to your eye calls a lot attention to yourself as well as allows one to hold the camera still at much slower shutter speeds. Regardless of those things though, the majority of the time it takes a combination of patience and boldness. Strangely I don’t run into people having much of an issue with it. Most often I really don’t think people notice. If an employee does ask me not to take pictures I simply laugh and move on, I’m well aware that what I’m doing looks odd. Better to own up and walk across the street to the Kmart’. Read more

New Practical Heritage

Herzog and de Meuron, the Swiss architects, have led the way with this re-use of the existing building fabric of CaixaForum in Madrid. Rather than being slavish to the existing openings, the building has been cut away for a contemporary practicality. We think this is an example of heritage not getting in the way of progress. Check out a similar concept of a previous post re-using the city fabric, where we were dreaming of such thing.