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Tilly and the Wall

Music / Interview with Tilly and The Wall

How could you not like Tilly and The Wall? Any band with a tap dancing drummer and a name that refers to the most bland of inanimate objects is alright by us. We spoke with Kianna from the group to get the lowdown. It’s been an interesting journey for you since that first open mic night all those years ago. What were you playing that night and how did the set go down with the audience? ‘I barely remember what we were playing! Probably a couple of the songs that ended up on Woo! Yeah, and the audience was basically made up of a bunch of nu metal types. We mostly got blank stares! Nick also didn’t own a keyboard stand at that point and played sitting down on the floor. We were, and still are, totally ghetto!’ Have you ever heard the Gorodisch song Omaha? What are your thoughts on the city and the creative scene there? ‘I personally have never even heard of that person or band! That means nothing though, I never did have my finger on the pulse of people. My thoughts on the city? Home, family, friends, affordable, supportive, weird, incestuous creative scene’. Is there any precedence that you know of for a tap dancer in a pop group? ‘We have heard of some random things, but nothing that set a precedence for us. We only heard of these things much later, after forming’. What was David Letterman like to meet? ‘We didn’t really get to meet David Letterman any more than what was seen live after we played. He didn’t come down and meet us in our room or anything, nor did he hang out afterwards. But meeting all of his crew and staff was wonderful! They were all so sweet and supportive! Also, Paul Shaffer and his band were all SO nice to us!’ What can we expect on the next record? Any clues as to what lies ahead? ‘The next record will sound a little rougher at times and a little classic Tilly at times. We tried to find a place somewhere between the lo-fi aspect of our first stuff and the more polished sound of the last record. As with the other records, there are slow jams and dance jams and it will also include some that are a little more rockin’ I think. The only clues I can give are ones that I’m aware of. That consists of more touring and meeting people everywhere we go! I couldn’t ask for more’.

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Tilly and the Wall

Oh boy, this is fun. Omaha’s Tilly and the Wall are kitsch-cool-camp-vauderville meets pop-folk-flamenco, with a tap dancer for a drummer and some serious, serious charisma for a calling card.

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The Dodos’ Visiter

Like a packet of perfectly seasoned pistachio nuts, I can’t put this album down until it’s well and truly finished: until every last morsel of taut, snappy percussion and hypnotic vocals have been digested. They’re like Animal Collective at the wind-down hour - slightly more stabilised and with the psychotic fits tempered into a soothing, trance-inducing pace. Somehow it’s also immediately catchy, laced with subtle hooks and soaring backing vocals. It’s the sort of sound that sucks you into their warm world, likely to cause you to miss your bus stop if your mind sinks too far into the rich chasm of tracks like Red and Purple [below] or The Ball. Listen closely, because this might well be one of the releases of the year.

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Cold War Kids’ Loyalty to Loyalty

With their slow burning, ramshackle pop escapism, Cold War Kids have ignited a spark in that oft-derided indie music scene. So perk up! Their new album, Loyalty to Loyalty, can be heard in its entirety through the MTV Leak website.

Download the track, Something is Not Right With Me

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UNKLE’s new album

UNKLE’s new album, End Stories … Music For Film, comes in a limited edition gatefold vinyl gloss with sculptured panel embossing. We have three copies to give away to randomly selected Australian Lost At E Minor subscribers who leave a comment under this post.

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BeModern

New Zealand-born, New York-based artist and designer BEMODERN has updated his site with some work showcasing his new interest in the vernacular of digital distortion, creating pixelated static motion with a cut up montage from Google earth’s crude renderings. There is also a selection of new commercial work with motion boards for various broadcast and advertising clients. Read more

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Fernanda Cohen’s New York portfolio class

The brilliant New York illustrator, Fernanda Cohen — who just happens to live down the road from me in Brooklyn — is teaching a portfolio class at Third Ward starting this coming Tuesday. The course, Illustration Portfolio, ‘helps students build a professional portfolio strong enough for them to feel confident to show it to art directors in the illustration field, including editorial and advertising’. She will lead the class in discussions about ‘what goes into a portfolio, and how to choose your best work, and talk about art directors, who they are, and what they expect from illustrators they are looking to hire’. Visit the Third Ward website for more details.

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I was just recently introduced to the work of artist Misaki Kawai. I must say that my interest in her work has since become something of a creative obsession. Her trippy, child-like figures and animals, painted in the most expressive, perfectly satisfying candy colored hues, are more than enough to send me running for the bag of jelly beans and jolly ranchers hidden in my cupboard. Read more

You may have already heard composer Nico Muhly this year on All Is Well, Samamidon’s lovely reimaginings of immigrant folk songs. (If you haven’t, you should). Mothertongue, Muhly’s second album and first for Brassland (run by members of the National), is divided into three acts. Read more

NaCo was created in 1999 by Tijuana’s Edoardo Chavarín and Mazatlan’s Robby Vient, schoolmates at the Art Center College of Design in Pasadena, California. Read more

I spent the formative first six years of my life in Wellington, New Zealand, a beautiful windswept city framed by a magnificent harbour in one direction and a stunning collection of green, rolling hills in the other. It was here, on a return visit many years later and deep amongst the clipped accents and ruddy faces of the weather-beaten locals, that I stumbled upon the vast catalogue of the then Dunedin based record label Flying Nun. And what a roster of acts they housed — The Chills, The Bats, The Clean, Tall Dwarfs, The Verlaines, and my favourite guitar-pop band, Straitjacket Fits. Read more

We have a bunch of new playlists up on our sister site, My Secret Playlist, a music discovery website and weekly email publication in which we invite our favourite bands and musicians to give us the rundown on their eight favourite songs right now. Over the past few weeks, acts such as The B52s, Team Genius, Pivot, Jukebox the Ghost, Moby, Katy Perry, and the Dandy Warhols, among many others, have written about the music that inspires them. To sign-up to receive the weekly My Secret Playlist publication, just enter your email address into the website’s subscription box.

The Loveless Cafe, a little oasis on the outskirts of Nashville, is like a refuge for the disenfranchised, serving up good ol’ southern cooking to a legion of America’s finest. Read more

This interview with James Lavelle gives a fascinating window into the making of the latest UNKLE opus, End Titles, Stories for Film.

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New Practical Heritage

Herzog and de Meuron, the Swiss architects, have led the way with this re-use of the existing building fabric of CaixaForum in Madrid. Rather than being slavish to the existing openings, the building has been cut away for a contemporary practicality. We think this is an example of heritage not getting in the way of progress. Check out a similar concept of a previous post re-using the city fabric, where we were dreaming of such thing.

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Erica Eyres

I love art that scares me a little. Erica Eyres somehow manages to make subtly unnerving drawings of distorted figures using nothing more than a ballpoint pen and a piece of paper. She renders shockingly realistic hair, yet skews the proportions and features of her subjects, exaggerating their expressions and making them look monstrous.

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Micah P. Hinson takes the good with the bad

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Beverly St. Clair’s Genome quilts

Artist Beverly St. Clair has translated the four DNA bases into certain shapes and patterns, which she uses to translate genomes into beautiful quilts.

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Mike Bertino

This is Mike Bertino and his work absolutely wonderful. He’s got this original, almost lo-fi Tim Biskup thing going on and it makes me really want to grab a beer with him. I love when artists give their pieces names like Knuckle Inferno and Man Beard. It just makes them that much better. He keeps a blog where he publishes his latest work and lets you know where they’re available for purchase, so go check it out. I think I’m going to ask him to be my BFF. Well, at least one of them. Not the only one. Cause, you know … I have more than one. Read more

This beautifully soft, handmade and dyed scarf is by the New York-based designer, Ryan Sullivan. They can be purchased through the Lost At E Minor store. Read more

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WIN

UNKLE’s new album, End Stories … Music For Film, comes in a limited edition gatefold vinyl gloss with sculptured panel embossing. We have three copies to give away to randomly selected Australian Lost At E Minor subscribers who leave a comment under this post.

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