
Interview with Tilly and The Wall
How could you not like Tilly and The Wall? Any band with a tap dancing drummer and a name that refers to the most bland of inanimate objects is alright by us. We spoke with Kianna from the group to get the lowdown. It’s been an interesting journey for you since that first open mic night all those years ago. What were you playing that night and how did the set go down with the audience? ‘I barely remember what we were playing! Probably a couple of the songs that ended up on Woo! Yeah, and the audience was basically made up of a bunch of nu metal types. We mostly got blank stares! Nick also didn’t own a keyboard stand at that point and played sitting down on the floor. We were, and still are, totally ghetto!’ Have you ever heard the Gorodisch song Omaha? What are your thoughts on the city and the creative scene there? ‘I personally have never even heard of that person or band! That means nothing though, I never did have my finger on the pulse of people. My thoughts on the city? Home, family, friends, affordable, supportive, weird, incestuous creative scene’. Is there any precedence that you know of for a tap dancer in a pop group? ‘We have heard of some random things, but nothing that set a precedence for us. We only heard of these things much later, after forming’. What was David Letterman like to meet? ‘We didn’t really get to meet David Letterman any more than what was seen live after we played. He didn’t come down and meet us in our room or anything, nor did he hang out afterwards. But meeting all of his crew and staff was wonderful! They were all so sweet and supportive! Also, Paul Shaffer and his band were all SO nice to us!’ What can we expect on the next record? Any clues as to what lies ahead? ‘The next record will sound a little rougher at times and a little classic Tilly at times. We tried to find a place somewhere between the lo-fi aspect of our first stuff and the more polished sound of the last record. As with the other records, there are slow jams and dance jams and it will also include some that are a little more rockin’ I think. The only clues I can give are ones that I’m aware of. That consists of more touring and meeting people everywhere we go! I couldn’t ask for more’.
Tagged: Omaha, pop music, tap dancing
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Oh boy, this is fun. Omaha’s Tilly and the Wall are kitsch-cool-camp-vauderville meets pop-folk-flamenco, with a tap dancer for a drummer and some serious, serious charisma for a calling card.

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Win a set of Sony personal audio prizes
Thanks to Sony Australia, four Lost At E Minor readers will win personal audio prizes, including the new 8GB Walkman S series video MP3 player and the MDRXB500 Extra Bass headphones. Read more
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“Black ink warlock” Justin Bartlett has done some of my favorite metal album covers of late, such as the one for Bohemian Grove’s Age of Retrogression and Pentemple’s self-titled record. His outsider-ish style reminds me a bit of the work of Rudimentary Peni frontman, Nick Blinko, but he has much more sophisticated sense of design and layout. Read more
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A lot of people have asked us where the name Lost At E Minor comes from and what the phrase implies. Well, several years ago I came across a compilation of obscure electro music called Famous When Dead, which is off the commendably experimental German label, Playhouse. One of the tracks on the album was by the production duo, Light Fantastic, and was titled Lost At C Minor. Read more
The Magazineer is ‘a blog about magazine design and print culture, written by people who love, and make, magazines’. Read more
Oh man, it’s a good thing I’m not living in Tokyo as I’d probably never leave the house. Japanese TV is the best. Want proof? Check out this clip from a prank show called Wake You Up where hapless victims are woken from their slumber in the most … ummm … ruthless of ways.
The coolest band in Indonesia? I think so. White Shoes & The Couples Company describe themselves as a small band that is ‘influenced by Indonesian movie soundtracks from the 70s and inspired by the acoustic spirit of 1930’s classic jazz musicians’. But I like to think of them as carrying the torch for artists like Benny Goodman, Tahiti 80, and The Cardigans, all at the same time.
Listen to their track, Super Reuni.
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