Henri Cartier-Bresson
Henri Cartier-Bresson’s The Aperture History of Photography is an excellent collection of photos taken between 1934 and 1968 with an emotional range that few will ever attain. They are portraits of humanity that should be witnessed. As Cartier-Bresson says: ‘As far as I’m concerned, taking photographs is a means of understanding which cannot be separated from other means of visual expression. It is a way of shouting, of freeing oneself, not of proving or asserting one’s own originality. It is a way of life’.
The Kevin Ayers record Joy of a Toy from 1969 was released by Harvest Records and sits somewhere between Nick Drake and The Byrds. A record slightly ahead of its time, it was filled with enough interesting and clever arrangements and instrumentation to never bore. Girl on a Swing is my favorite tune for the tremolo guitar.
The German electro outfit Burger/Ink released the extremely chilled out album of late-night, early morning dancefloor or sofa-ready beats called Las Vegas on Matador. This is a great companion piece to your Boards of Canada, Aphex Twin, and Kandis. [read also an interview with Japanese electro-whiz, Susumu Yokota]
I have known Hayden for almost twenty years. He has always released quality music and that is why he can wait four years between releases and his fans are still there. His latest album — In Field & Town — went straight into heavy rotation in our home and I think will extend his fan base further than even he might like.
YOU'RE SAYING (2)
Hunter Peroff said | 18 September, 2009
I’m currently working through James Ravilious’ An English Eye, which is his appropriation of Cartier-Bresson’s work, but for the very day-to-day of English Devon. Bresson’s next on my photojournalism catalogue…
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My ex-roommate, better known as the young genius art star James Jean, has his first big solo show opening at the Jonathan LeVine Gallery in Manhattan this weekend. The opening may get crazy packed with all the fans, but I’m sure it will worth a visit. Read more
Embroidery sets me aflutter, especially when the medium mixes craft with fine art. I particularly love Anna Hendrick’s work, where whimsical thread drawings meets references to pop culture and cult classics. Read more
Says Van She bassist and vocalist Matt Van Schie about the Bush Tetras track — Too Many Creeps — from 1982: ‘I LOOOVE this tune. It opens with a perfect snare roll, and then the counter bass and guitar rhythms make it so cool. The lyrics are even more valid today. They’re one of my favourite bands of all time, and so many people try to do what they did for real. What a time! I wish I was born back then in New York, hanging out with these kids. Ahhhh!!’
Mozzarella is the new sushi in New York since the opening of Obikà (pronounced Oh-bee-KA), Manhattan’s first mozzarella bar, at 590 Madison Avenue. Read more
This Is My England is both the blog and the pen name of a Londoner who looks at things up close. The photography zooms in on the small details of the decay and strangeness under the surface of the taken-for-granted things all around us. Many of the short poems here do roughly the same job.
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Korean-born Okkyung Lee, who has found a niche amongst the regulars at John Zorn’s The Stone, makes intricate cello improvisations based on her classical and jazz training, following a path forged by the likes of Tom Cora, but veering off into her own stranger, noisier directions.
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We’ve followed Sydney’s ZANEROBE from the sporty retro ‘Summer World Series’ collection to their beautifully cut, pure wool classic suits. ZANEROBE’s latest collection – Game Day, Sunday – represents an opulent collision somewhere between the two. The tailored outerware collection includes woolen duffles, leather bombers and wax-coated twill jackets, all with the typical ZANEROBE attention to detail in the texture, trim, fit and wash. Read more
WE'RE POSTING / SOME OF THE BEST
Francoise Nielly’s Yellow series
Parisian visual artist Francoise Nielly brings technicolour to the forefront in her latest series, Yellow. Featuring thick impasto palette knife strokes and trippy neon hues, Nielly captures the vulnerable expressions of her muses to a tee. Read more
A little infectious lollipop rock anyone? Feel free to embarrass yourself singing along at the stoplight. If the other drivers give you that look, roll down the windows and spread the love.
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Pitched as ‘Ulterior Motives in Contemporary Art’, Disorder Disorder is running until November 14 at Penrith Regional Gallery. It’ll be well worth the trip out west of Sydney: the Australian, Japanese, American and European cast reads like a warriors of street art roundup and includes Mike Giant, Ed Templeton, Anthony Lister [artwork above], Ozzie Wright, and Jonathan Zawada. Read more
Christoph Niemann illustrates a nightmare flight
New York Times illustrator Christoph Niemann has created a brilliant visual diary outlining the peril and pitfalls that beset the everyday passenger based on his recent experience flying from New York to his home town of Berlin. Read more
Get lost in a daydream or a craving for something sweet while gazing at these cool sculptures by Brooklyn-based WiNK WiNK PONY. Made using clay, tree bark, wood, and mossy moss.
Sometime in 2010, the folks behind Dirty Dishes had the slightly silly idea of using cheeky vintage photos and putting them on dinner plates. After doing lots of research, talking to lots of people, and receiving loads of positive feedback, they wondered if this idea was so silly after all. And thus Dirty Dishes was born. Read more
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John Malloy said | 1 February, 2008
I LOVE his work. Great to see. Did you know he was originally a painter? Btw, if anyone is interested in more, including an intense photo-journal of his time spent in 1940′s communist China, one of my clients has a few reasonably priced first editions – http://www.royalbooks.com.