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Terrordactyls
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The Terrordactyls

There’s a simple timelessness about the music of indie duo The Terrordactyls — especially on their new self-titled album. It’s perfect for singing in the shower or humming on the bus. We asked Michael, one-half of the group, if it was a rule of thumb for the band to keep it to first position chords only: ‘Large skips and parallel movement make me uncomfortable. In many keys, it’s a lot easier to maintain decent voice leading in open position on the guitar. Sometimes, I’ll move things around for the sake of tone if we’re recording, but otherwise I don’t really care. It’s gonna sound like shit amplified anyway’. What do you recall in particular about recording [debut album] Hoppy Birthday back in the day and was it an enjoyable experience or a tough learning process — or both? ‘It was really fun. It was before I actually started going to Evergreen for school. I came down to Olympia and we spent the entire night recording in Tyrel’s living room. We eventually broke into the Seminar II building as well as the library building when it got too late to scream in the dorm. I think that Brendhan just climbed in some kid’s window and borrowed his drum to record that CD. It was recorded entirely using the internal microphone in my computer. It was about as fake as recording gets’.

Listen to the Terrordactyls track, Devices.

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Laura Marling's beautiful new album I Speak Because I Can is out now and is a Lost At E Minor pick for the week.
We've recently launched a new website: The Colour, featuring Australian culture in pictures. Check it out and give props to your favourite Australian artists, musicians and designers.

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YOU'RE SAYING (1)

melissa said | 23 January, 2008

aww man they had a sweet sound. thanks for putting this up :)

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Canadian artist Brandon Jan Blommeart’s trash monsters lumber across beautiful landscapes, happily playing with each other as if they had inherited the earth from their human creators. Read more


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Listen to The Presets song, My People.

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WE'RE RESPECTING

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