Heart it races

WE'RE SUPPORTING

Throw Us A Bone is an innovative Sydney Dogs and Cats Home fundraising campaign from the M&CSaatchi/Mark agencies and represents the first time in Australia that people will be able to enjoy two-way interactivity with a live outdoor advertisement. Launching on October 1st on a massive 7m x 7m outdoor cinema screen in the Customs House forecourt at Circular Quay, the quirky and playful campaign has been designed and animated by Sixty40. Read more

WE'RE TRAVELLING TO

Melbournes laneways are cluttered with themed, designer bars. The challenge seems to be which is the most hip, funky and individual bar. Step in Section 8, an old inner city carpark furbished with warehouse pallets, patio heaters and a couple of freight containers, converted to serve you drinks. The vibe is fittingly low-key, with background music played at a reasonable level, frequently changing decor, and a variety of options to quench your thirst. It’s casual, fun and simple. Oh, and to keep it that way, there’s even a no suit policy! [photo via TravelMuse]

WE'RE WEARING

If you thought that fashion and science had nothing in common, think again. Now we creative types have little time for heavy discussion about scientific facts, so we’ll get straight to the point. Emerging Sydney designer Dion Lee has interpreted ‘mitosis’, the process where cells divide, in an impressive first collection that’s already gaining a cult following. Read more

WE'RE THINKING

Sauerkids is Mark Moget and Taco Sipma, an artist team working out of Rotterdam, Netherlands. Their illustration work is ‘a combination of innocent childhood imagery and the mental confusion of everyday life’.

WE'RE READING

Breathing Earth is a morbid reference website that’s simply a flash map that tells you a country’s population, birth and death rates, and how much CO2 it emits. Read more

Animator Mathieu Labaye created this short film in tribute to his late father, who had been in a wheelchair for the last 15 years of his life. Read more

WE'RE LISTENING TO

Austin-based Future Clouds and Radar, the eclectic art-pop ensemble headed by Robert Harrison, has recently released its sophomore recording, Peoria. Where their self-titled debut album showed Harrison as the central figure in a large musical cast, Future Clouds and Radar’s latest offering finds the core band focusing their kaleidoscopic vision into a single cinematic narrative about the illusory nature of mortality. Throughout, Harrison stays true to his genre-hopping eclecticism, leading the journey through a maze of fuzz-box vocals and ethereal keys.