Dushan Milic
New Illustration /

Dushan Milic

The portrait work of illustrator Dushan Milic is wickedly clever. We spoke with him about the fun he has working on a wide open brief: ‘It really is enjoyable when briefs that are open come along. I’ve been lucky that some of my regular clients — especially the amazing AD’s at the Globe & Mail — have built up of a good level of trust. Bizarrely, it seems difficult for many people to let someone have their creative space. At the same time, many good pieces have come from relatively tight requirements’. Has anyone ever complained about their portraits? ‘When I draw people in public or the subway, I’ve had complaints — and once a near fight in NYC) — but generally they’re well received, if not slightly embarrassing for me. Everyone turns out a bit ugly. I blame growing up in Hamilton, Ontario. The downtown core population look like the cast from Jabba’s Palace’. You work a lot in black and white. Is there more honesty to the work without the distraction of colour? ‘Black and white, sadly, is usually overlooked in favour of today’s cheap colour printing, but I do love it. It leaves you with nowhere to hide. The lines have to speak for themselves. No pretty patterns or colourful effects to distract. It’s also much closer to drawing or doodling in a sketchbook, which is fun’.

 

 

Dushan Milic

 

Dushan Milic

Nice doodle. That's a photorealistic line drawing of a cat riding a bicycle, right? You should sign up for our free email newsletter.

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