Photography / Julian Faulhaber
Julian Faulhaber’s photographs of color-saturated industrial and office spaces are devoid of people and invoke a terrifying sense of loneliness — they’re clean, hard, futuristic interiors that are menacingly awaiting our arrival.
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Also by GERRY MAK
Strip away the cookie monster vocals and downtuned, distorted guitars, it’s hard to imagine death metal still reading as death metal, but 8-bit duo Dr. Zilog manage to do just that. The Floridian sound-card tweakers make some pretty amazing original, NES tunes that are strangely compelling, catchy, and actually quite metal.
Aurie Ramirez’s elegant watercolors have something outsider-y about them, with a slight nod of Henry Darger, but the fantasy world she depicts is less manic and angry — the whimsical and characters that inhabit her work seem more playful and less tormented by religious repression. Read more
Like any fan of a genre, I can’t stand bands that water down the basic elements of said genre in order to make it more accessible to the masses. I used to consider Gojira one of these bands, but it may be because I couldn’t get past their lame album covers. To be honest, they’re still a little too influenced by hardcore on their new album, but I have to admit, the debut video from The Way of All Flesh is brutal as hell. As a matter of fact, the tracks that the French four-piece is streaming on its MySpace page are pretty freaking incredible — unapologetically death metal, but with a few left-field elements, and again, some hardcore-isms with the vocals I could do without. I have to stop being so prejudiced.
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Andrea Innocent’s work is heavily influenced by Japanese art and culture. Themes range from investigations into the cult of Otaku, to traditional Japanese folk tales and textiles. Read more
Man, I remember shaking my tail to Come on Eileen many moons ago — when rat-tails were a right of passage and Molly Ringwald held both the lock and the key to my tiny pitter pattering heart. Back then it was all ice-skating and fairy floss; skateboards and trading cards. It was bags of chips by the rusty school fence and sunburnt faces on crackling summer days. It was Pepsi and Milo; showbags at the Easter show; and games of Twister by the electric heater. And all the while a soundtrack of pure musical and lyrical indulgence played on and on and on. Mighty props to the 80s. If it weren’t for the misdemeanors and feeing of unbridled potential that pervaded that decade like a bad New Romantic haircut, then every year since wouldn’t have made any sense at all.
Listen to Nouvelle Vague’s version of Come on Eileen.
Australian group Pivot have recently signed with the mighty Warp label and — even better (well, for us anyway) — have written a fun Secret Playlist for us. You can see where the many disparate influences have seeped into their latest recording, the beautiful and colourful, O Soundtrack My Heart.
We have a bunch of new playlists up on our sister site, My Secret Playlist, a music discovery website and weekly email publication in which we invite our favourite bands and musicians to give us the rundown on their eight favourite songs right now. Over the past few weeks, acts such as The B52s, Team Genius, Pivot, Jukebox the Ghost, Moby, Katy Perry, and the Dandy Warhols, among many others, have written about the music that inspires them. To sign-up to receive the weekly My Secret Playlist publication, just enter your email address into the website’s subscription box.
We checked in recently with New York based Argentinean illustrator, Fernanda Cohen. How’s the illustration scene in New York at the moment? ‘Over crowded, sometimes repetitive and predictable, but there are always jewels here and there. I believe most of the emerging stars in the illustration field in the past few years came out of New York, mostly SVA graduates’. Read more
You don’t have to venture far in Bangladesh to encounter a rickshaw, the nation’s most popular means of transport. Read more
No matter what’s going on with your outfit, chances are, if you’ve got good shoes on, you’re okay. Keep Company shoes are only going from strength to strength, bringing out more and shoes apparel that are probably going to ruin my savings account. Read more
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I love the sense of intimacy about the work of Chicago-based photographer, Brian Ulrich. His retail project Copia ‘is a long-term photographic examination of the peculiarities and complexities of the consumer-dominated culture in which we live’. We interviewed him recently and asked him what camera he uses once he gets inside a store he’s photographing: Read more
Some friends and I serendipitously stumbled across the work the artist Hiro Kurata the other night and we have been jointly obsessing over it since. Kurata’s work is torrid, moody and fragmented like a restless dream. Bursting with texture and patterns, it’s simply brilliant. As my friend Andrew Degraff accurately put it, ‘It’s like Savador Dali thrown through a plate glass window’. Indeed. Read more
There are two Americas: one which strives to create its own culture, music, and art with a strong sense of ethics in mind, and another that drinks 32-ounce energy drinks before waiting on line to get into a club packed with women trying to get back at their overbearing fathers, and homophobic men with a fondness for Axe body spray. How do we bridge the divide?
I like Roots Manuva because he tells stories. I know that sounds simplistic, but honestly, have you noticed how rappers, certainly American rappers, have stopped narrating their lives and are purely focused on how great they are? I know, I know, hip-hop is all about word play, slang, and blah blah blah. But I listen to music for stories and heart-felt sentiment. Roots Manuva gets that. He’s old school that way. His latest album, Slime & Reason, is still rooted in the UK grime scene (does that still exist, or has it gone the way of electroclash? I’m earnestly asking), but a lot of it is more overtly dub than anything he’s done so far, and he’s got some beats and samples on this record that are as dramatic and epic as some of the metal bands I listen to. He talks about real sentiments and earnest emotions and believable and relatable experiences, which may make him uncool amongst the sneaker-collecting kiddies, but even though this isn’t his best record, I still like where it’s coming from.
The Grind 2.0, a charity auction show to fund construction of the Swift-Cantrell Skatepark in Atlanta, opens on Friday, October 10 at Atlanta’s The Rabbit Hole Gallery. The show features more than 60 hand-painted skate decks painted by some of today’s top underground artists from across America and Europe, and I couldn’t be more excited to be part of it! Other artists include Amy Sol, Dave Kinsey, Chris Stain, Jason Limon, Tara McPherson, Tessar Lo, and many more. The gallery is even offering an online bidding through their website.
This beautifully soft, handmade and dyed scarf is by the New York-based designer, Ryan Sullivan. They can be purchased through the Lost At E Minor store. Read more
Happy, happy, joy, joy! We have a TV On The Radio poster designed by Tunde, as well as Dear Science on vinyl, to give away to a randomly selected Lost At E Minor subscriber who leaves a comment under this post telling us why they simply must have it.
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Elizabeth said | 2 January, 2008
Came to you from Fabulon. What a wonderful site. I’ll come back often. Thanks