Lost AT E Minor

UNKLE’s new album

UNKLE’s new album, End Stories … Music For Film, comes in a limited edition gatefold vinyl gloss with sculptured panel embossing. We have three copies to give away to randomly selected Australian Lost At E Minor subscribers who leave a comment under this post.

Passion Pit

We asked songwriter Michael Angelakos from electro-pop group, Passion Pit how a Cambridge, Massachusets-based group got signed by Frenchkiss: ‘Luck and word of mouth, I suppose. We loved Frenchkiss as a label before they approached us and we were really excited about joining the roster, especially coming to them with our very specific outlook. But it’s a great label because they want to see us grow and we couldn’t think of better people to work with when it comes down to it’. Your sound has been compared to Georgio Morodo. Are you a fan of his music? ‘My god, yes. And, you know, anyone who had anything to do with “Together in Electric Dreams” is out of this world’.

Aeroplane are Ital-disco

How many bands can you name who’ve formed over drunken conversations at parties? Add another to the list. Vito De Luca and Stephen Fasano of Belgian duo Aeroplane met around six years ago at a party, and decided to work together after discovering a shared appreciation for 60s and 70s psychedelic pop, Fleetwood Mac, Brian Wilson and 80s synth pop pioneers Brian Eno and Giorgio Moroder. ‘At the beginning Vito made me listen to the demos which he made and I found it very interesting!’, Fasano says. ‘I wanted to do disco-rock-electro music with my influences, and after several working years, we both found our own sound’. Read more

Juana Molina

I caught this Argentinean musician play in a church in London last Sunday evening, and as the first few bars echoed around the hall, I couldn’t really think of a better way to finish off the week. The sound and the setting were seamlessly joined at the hip, as if she alone took the place of the hordes of choristers that normally fill the church. Molina has mastered the art of looping and layering, both vocally and instrumentally, and so her and the two backing musicians treat their audience to a sound that is almost orchestral in its size. Read more

The Dodos’ Visiter

Like a packet of perfectly seasoned pistachio nuts, I can’t put this album down until it’s well and truly finished: until every last morsel of taut, snappy percussion and hypnotic vocals have been digested. They’re like Animal Collective at the wind-down hour - slightly more stabilised and with the psychotic fits tempered into a soothing, trance-inducing pace. Somehow it’s also immediately catchy, laced with subtle hooks and soaring backing vocals. It’s the sort of sound that sucks you into their warm world, likely to cause you to miss your bus stop if your mind sinks too far into the rich chasm of tracks like Red and Purple [below] or The Ball. Listen closely, because this might well be one of the releases of the year.

Metronomy

Metronomy are a cool little London-based group headed by producer and remix extraordinaire, Joseph Mount. The sound sits somewhere between Autechre and Vitalic: clanging keyboards and body-gurning beats laced with an undercurrent of ominous electronica. It’s not as inaccessible as much of the more twisted electro-based stuff out there at the moment, although it retains an edge perhaps unpalatable for some ears. Yet there’s a catchiness to it that is clearly roping in the crowds: their live shows are a spectacle, complete with synchronised dancing and flashing costumes. If that floats your boat, they’re playing for free at the Tate Britain, London, on 27 September.