EyeBone

WE'RE SUPPORTING

New York-based, Australian art director Deanne Cheuk — an occasional contributor to Lost At E Minor — is one of the most adventurous and creative designers around. Her work on Tokion magazine, in particular, for which she shaped the visual direction over several years, was inspiring, pushing the boundaries by incorporating illustration, offbeat color touches and avoiding the straight portrait shots which seem to dominate the front window of every inner-city newsagency.

WE'RE TRAVELLING TO

There’s no place in the world like Cuba’s colourful and crumbling capital. Riddled with contradictions, it’s a foodie’s worst nightmare and a photographer’s paradise. People really do dance in the streets, drive 1950s Chevvies, and smoke big, fat cigars. However, it’s all set to change. In December last year, while Cuba celebrated the fiftieth anniversary of its revolution, President Obama said he’d soften America’s trade embargo, and Raul Castro said that he’s ‘ready for talks’ with the new American government. While this could mean long-overdue relief for Cubans, it could also leave one less truly fascinating place on the globe to visit. So go. Now.

WE'RE WEARING

The new range of Alexander Wang for Uniqlo just hit stores this week in New York. This is the perfect collaboration for budget-minded fashionistas, allowing us to wear Alexander Wang at an affordable cost (in the $50-60 range). Read more

WE'RE THINKING

The digitization of music seems to have put the art of good album covers in jeopardy, and now with the Kindle, even good book design seems to be threatened. The Book Cover Archive is gallery of great book cover designs from recent years.

WE'RE READING

Some might argue that the team behind People of Walmart are elitist snobs poking fun at the working masses, but is there really an economic rationale behind an ‘I Hate Queers’ t-shirt? Read more

Sometimes we need an ad to remind us of what’s important. Normal is beautiful. Keep our oceans alive. Vote. Be more fearless. The Whitehouse Post is an international post-production company whose projects are damn fine. In fact, they are the scary mix of wit and aesthetics that makes any message convincing. Long live Coca-Cola.

WE'RE LISTENING TO

There’s something quite attractively kitsch about the Lucky Dragons’ latest release, Dream Island Laughing Language. It’s undoubtedly unusual, and not too friendly on the ears, but something warm and fuzzy keeps creeping out of the broken drum rhythms and looped vocals. It’s a mish-mash of jangly folk licks, Squarepusher-style drum ‘n bass with a few Coco Rosie-esque experimental sound effects thrown in: intriguing, original, and fairly hard to describe!