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tiffany bozic

Illustration / I was hidden

Whoa. That was intense. I’ve just awoken from a dream whereby my big self somehow stumbles upon my five-year old self playing enthusiastically with a group of kids. Yes, there I am, dressed in a dark green skivvy and ’sensible’ brown cords (thanks mum!) looking happy and peaceful. So I call my little self over, take one tiny hand in mine and as I do I’m greeted by the warmest, most loving smile and a look not so much of recognition but of understanding.

I want to smile back, but I can’t so instead I say: ‘there will be many ups and downs along the way but never, ever give up’. And with that the smile disappears and my little self scampers back to the comfort of the unaffected while I’m left with a moment of pure epiphany; a sense that this feels like the last time my smile was so real. Such is life.

Note to self: BREATHE. Deeply. Enjoy the restorative powers of a lung full of oxygen. Or perhaps I just a need a hug. Whatever. Freud would know. He described dreams as the ‘royal road to the unconscious’ and suggested that they all somehow relate back to unresolved issues. Heck, perhaps it was the skivvy!? I knew at the time it was a mistake.

Anyway, I just take it all as a reminder to live more for the moment. As that wise sage Eleanor Roosevelt once said: “Yesterday is history; tomorrow is a mystery. But today is a gift. That’s why they call it the present”. Wise words indeed. Damn it. She may be onto something. [illustration by Tiffany Bozic]

Also by ZOLTON

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Sam Weber

There’s some awesome new work up on New York-based illustrator, Sam Weber’s website, including this one above which is did for the Soulpepper Theatre. We asked him a little while back about what his studio workspace was like: ‘I am fairly particular about where I like to work, and what sort of stuff I like to have around me. There are things that I look at often — a book of Max Ernst collages, one on Yoshitaka Amano, and a big stack of clippings from magazines and the Internet that I will periodically leaf through to get inspired’. Read more

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Famous Blue Raincoat

Many years ago, when my hair was longer and my clothes were shabbier, I played guitar in a Sydney-based rock band. We never come to anything more than a few years worth of gigs and a deeply closeted aspiration to take the radio charts by storm. We never did. A lack of talent intervened, but it was damn fun while it lasted. Anyway, at one point during this debauched period of my life, I had a friend who was the frontman for the exotically named, Blue Apples of The Moon. He had an unusually resonant baritone and a penchant for writing epic music. One day he handed me a demo cassette with a batch of his new songs on it. I took it to work with me the next day, whacked it into my Sony Walkman, and immediately swooned amongst the lulling tones and fretfully beautiful lyrics of this Leonard Cohen classic. I was gobsmacked. Totally mesmerised. And having never heard it before, I presumed that my friend — this humble frontman of a bizarrely named rock band — had just penned the greatest song of our generation. For about eight minutes and seventeen seconds, I was convinced he was genius. That was until one of my workmates pointed out that it was actually a Leonard Cohen masterpiece, one of many. It turns out that my friend’s demos were on the other side of the cassette. And they were pretty average. But hell, anything would be after this unholy precedent.

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On the road with The Basics

A little while back, we ran a week long diary from Australian pop band, The Grates. It was kinda to get a window into the world. Hell, voyeurism is the new black. So we asked Melbourne-based rock band, The Basics, to do the same thing as they bring their music to the deepest reaches of Australia’s Northern Territory. These are the words of bassist and vocalist, Kris Schroeder: ‘Friday November 7. Darwin. It’s a weird old joint this one — I can probably compare it closest to Queensland’s Cairns, with the backpacker industry making up the life and character of the Central Business District. This makes it particularly good for bands, as you’ve got a ready audience staying only metres away from the music venues. Today was our first Darwin gig (at Monsoons), and it was a ripper. I’d organised with my mate Nathan to bring up the Sunshine Reggae Band from Ikuntji in the Western Desert, and they were going to be the first Indigenous band to play in the main street of Darwin, which is apparently quite a cultural breakthrough. The best bit was how well received they were, someone saying “This is great, because it’s what you should expect to see in Darwin, not just bloody cover bands all the time.” Quite chuffed. By the time we played it was packed out, and everyone was loving it. Job done’. Read more

YOU'RE SAYING (6)

jesse chapo said | 20 July, 2006

sounds more pleasent than intense, in the last week I’ve slept in a cave, waded through chest deep rotten food and tripped on LSD. needless to say, I haven’t been sleeping well.

molly molloy is quite fantastic and inspirational, thanks.

pauline said | 21 July, 2006

I need to know more, is there a way of sourcing Molly’s work in Ireland?

Zolton said | 23 July, 2006

best thing to do is check with her agent: info@pearcestoner.com

Zolton said | 23 July, 2006

well, jesse, i think my childhood trip pails in comparison. best avoid that rotten food though. pleased you like molly’s work. she was featured in curvy last year - a collection of female illustrators from around the world. don’t know if you came across a copy but it had some pretty inspiring talent in there.

FizzGig said | 22 October, 2007

That is amazing.. I must find more of her work!

I had a dream like that once.. I was quite shaken by it as my younger self absolutely did not like what I have become.. (25 piercings, 5 tatts, mohawk etc) and actually said that she hated me….
I asked my mother about this and she had nothing to say except the whole logical “your inner child wants to get out” etc

Hehe I just wanted to share that :P

david said | 22 April, 2008

I like this Image.

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Monet and The Impressionists is on display at Sydney’s Art Gallery of New South Wales until January 26, 2009. Alive with bold brushstrokes and dappled colours, the exhibit features 58 masterpieces by Cezanne, Manet, Degas, Renoir, Pissarro and Monet himself, among many others that have never been shown in Australia. It was amazing to view some of the finest quality works that revolutionised modern painting and the way natural light is portrayed on canvas. Go Monetise yourself and see Rough Weather, and all those serial haystack paintings.


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the faint

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Woohoo! We have five copies of the new Faint album, Fascination [Inertia], to give away to randomly selected Australian-based Lost At E Minor subscribers who leave a message under this post telling us about the last time they, ummm, Fainted.

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