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Music / The Grates [interview]

We spoke with Patience, lead singer of Australian band The Grates, about the new album the group are in the process of writing. The debut Grates album — Gravity Won’t Get You High — saw you guys catapulted onto stages across the world. Where could this next one possibly take you? ‘To the moon! Hopefully. Actually, we toured constantly on our last album, and really put everything we had into it, but didn’t get many opportunities to tour outside of USA, UK and Australia. Earlier this year I went on a holiday to Tokyo and fell in love with it. I would love to tour there — and buy toys there!’ The production on the last album was quite sparse. Any clues as to whether the new one will be a lush affair as stripped back as we’ve come to expect? ‘I’ve never thought of our production on GWGYH as being sparse. When I think of sparse sounding albums I’m thinking more about White Stripes, The Gossip, and We Are Scientists. The production on our last album was warm and polite with a little room but no real space. The song Trampoline probably reflect writing style the most because that song really was just guitar, drums and vocals but a lot of the other songs have multiple keyboards & guitars filling out the sound. As for the album we’re writing currently, I expect a more robust, deeper, sincere sounding record. Crunchier, durable but whimsical and feminine all the same time. With no strings!’ After all your travels of the past year, is there anywhere that you’ve been to that beats being back home in Australia? ‘Every place has it’s own charm, and everywhere is so different from Brisbane that only being in Brisbane is like being in Brisbane to me, but being in New York City really does help make not being in Brisbane very easy!’

Listen to The Grates track, 19-20-20.

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The secret diary of The Grates

A few weeks back we asked Patience, frontwoman of Aussie pop starlets The Grates, to write about a typical day in her ever-hectic life. Today, it’s drummer Alana’s turn: ‘On the menu. I had soup and a sandwich. How very American of me. Actually, I really miss America. I can’t speak on behalf of the other two but I’m really keen to head back for a tour. Today I had quite a few over the phone interviews (in the biz we just call them ‘phoners’. If you are in an up-and-coming band, saying ‘phoners’ will make you appear as though you have done some too) which was heaps better than usual because my flatmates and I all went in for a cordless phone’. Read more

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The Grates: an ongoing diary by Patience

We love Australian band The Grates. So much so that we asked their frontwoman Patience to write an exclusive diary for Lost At E Minor over the next week, giving us the inside word on what the band are up to. We’ll run a new posting from it each day. This is her entry from last Saturday: ‘Today nothing happened. Actually, that’s not true. Today by sheer coincidence we all went and saw Batman independently. Awesome. So good. Don’t see Batman because you want to, see it because you need to. I don’t care what you think, just see it. Spend your money. At the very least it will give you something to debate with your friends about. This is something we do all the time at Grates headquarters. It’s a fun way to find out more about your friends and also solidify your own opinions. Who knows when your already explored opinion on weather it’s okay to kick a robot dog will be challenged. Trust me, something like this will one day happen to you and if you take part in regular debates with friends you will be more than able to cope with the situation’.

Listen to The Grates track, Sukkafish.

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The Church’s Of Skins and Heart

The Church are a great Australian new wave band that were sadly overlooked in the rest of the world through much of their career. I’ve been listening to their first album, Of Skins and Heart, and it’s really an excellent collection of jangly, proto indie pop songs. There are some great, off-kilter harmonies and beats, but it stays cohesive, restrained, and really catchy. Read more

Also by ZOLTON

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The Cerasoli:LeBasse Gallery’s relocation

California’s Cerasoli:LeBasse Gallery has just moved to new digs on Washington Boulevard, Culver City. And to celebrate the re-launch they have an exhibition running featuring the work of Deth P Sun, Mari Inukai [above] and
Melissa Haslam, amongst others. This inaugural exhibition, the aptly titled Blender, runs until November 1st.

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TV On The Radio poster and vinyl

Happy, happy, joy, joy! We have a TV On The Radio poster designed by Tunde, as well as Dear Science on vinyl, to give away to a randomly selected Lost At E Minor subscriber who leaves a comment under this post telling us why they simply must have it.

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Ryan Sullivan scarf

Ok, so it’s 3.30 on Thursday afternoon and I’m sitting in a Brooklyn cafe, tapping away as fast as two fingers possibly can. As I look around, discreetly to my left and then more openly to my right, I cannot see a single person in this warm and friendly place wearing a more stylish and comfortable scarf than the one that I have wrapped around my neck. Yes, as my grandfather would say, it’s a very ‘handsome’ scarf — a soft, playful, ‘handsome’ scarf. And you know what? There’s not a single damn person in this room who can compete with it. Ha! That feels good. That feels very, very good. Mind you, it is 76 degrees outside, and I’m starting to sweat, so perhaps I’m just a little … ummm … over-dressed.

YOU'RE SAYING (3)

Giant Fucking Panda Identicon Icon

Giant Fucking Panda said | 21 December, 2007

These guys are very talented, thanks for the interview. Surprised they disagreed with the sparse comment though; IMO though their album tended more to the pop side of punk/rock, it was still a lot more stripped back than most. Like the strings comment - surely they’re the antithesis of that?

Anyway, nice one :)

Jack Identicon Icon

Jack said | 29 December, 2007

Love Patience, boy she must be fit!

jo Identicon Icon

jo said | 1 August, 2008

Yep I wouldn’t get through one song,
they are great fun live.

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Kristian Olson’s illustrations look like Magic Eye posters that have come to life as marauding, fractal-shooting creatures from Technicolor hell. Read more

If Pharrell’s calling these guys ‘geniuses’, you’d better watch out! Chester French are Ivy League prep boys from Massachusetts who have mastered an interesting Beatlesque sound tinged with Motown influences. When, in May 2007, the duo — D.A. and Max — completed their recording and their degrees (in African American Studies and Social Anthropology respectively), they were snapped up by Pharrell Williams’ label Star Trak.

Australian group Pivot have recently signed with the mighty Warp label and — even better (well, for us anyway) — have written a fun Secret Playlist for us. You can see where the many disparate influences have seeped into their latest recording, the beautiful and colourful, O Soundtrack My Heart.

We have a bunch of new playlists up on our sister site, My Secret Playlist, a music discovery website and weekly email publication in which we invite our favourite bands and musicians to give us the rundown on their eight favourite songs right now. Over the past few weeks, acts such as The B52s, Team Genius, Pivot, Jukebox the Ghost, Moby, Katy Perry, and the Dandy Warhols, among many others, have written about the music that inspires them. To sign-up to receive the weekly My Secret Playlist publication, just enter your email address into the website’s subscription box.

I recently discovered Lauren Fleishman’s work while looking at an old copy of The Fader. After a visit to her website, I found myself especially captivated with her Indiana series. Here she talks about her experience shooting in this rural area and exploring the stories that hide beneath the surface. Read more

The strategy based architectural firm Popular Architecture has created a scheme that takes on the spread of cities. Based on the estimation that London will need to provide housing for 100,000 new people each year up until 2016, this building houses 100,000 in one hit. Read more

Making feet beautiful, String Republic is the creation of graphic artist Stéphane Bucco. Read more

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The Grind 2.0

The Grind 2.0, a charity auction show to fund construction of the Swift-Cantrell Skatepark in Atlanta, opens on Friday, October 10 at Atlanta’s The Rabbit Hole Gallery. The show features more than 60 hand-painted skate decks painted by some of today’s top underground artists from across America and Europe, and I couldn’t be more excited to be part of it! Other artists include Amy Sol, Dave Kinsey, Chris Stain, Jason Limon, Tara McPherson, Tessar Lo, and many more. The gallery is even offering an online bidding through their website.

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Alison Malone on her Daughters of Job photos

A couple of weeks back we featured the work of New York-based photographer Alison Malone, who went into the secretive environment of the Job’s Daughters to photograph the girls who are direct blood relatives of the Master Masons. This is the second part of that interview. The portraits of girls [below] are angelic. What was your intention of photographing them in this light? ‘There are many reasons that I chose to photograph the girls in this way. The first is the simple love I have of the straight photographic portrait and its ability to transmit the subtle nuances that come from an individual. When a portrait is made there is an opportunity for a delicate exchange between the photographer and the subject that creates a place to examine how one holds oneself in a moment’. Read more

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Shadows and Dust

When it comes to making an entrance, nothing says rock star quite like a pair of leather pants. Read more

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The Nines

The directorial debut of John August, a writer who was worked on films such as Go, Big Fish and Corpse Bride, is a complex and thought-provoking arthouse feature crowned with a spectacular performance by Ryan Reynolds in the lead role. Like most films, it is in three parts. However, these are three distinct parts with the same actors all playing different roles. Read more

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Two Americas

There are two Americas: one which strives to create its own culture, music, and art with a strong sense of ethics in mind, and another that drinks 32-ounce energy drinks before waiting on line to get into a club packed with women trying to get back at their overbearing fathers, and homophobic men with a fondness for Axe body spray. How do we bridge the divide?

Australian illustrator Moofus is just 11 years old. As he says, ‘my mum and dad won’t let me leave school to get a proper job, so I draw lots of pictures’. This limited edition print of Sydney’s Coogee Beach is printed on Epson heavyweight matt paper with archival inks and is just US$20 through the Lost At E Minor store. Read more

dear science poster

WIN

Happy, happy, joy, joy! We have a TV On The Radio poster designed by Tunde, as well as Dear Science on vinyl, to give away to a randomly selected Lost At E Minor subscriber who leaves a comment under this post telling us why they simply must have it.

WHAT YOU'RE DOING

  • Petit Vulcan is listening to Stop Play Moon

  • Petros is listening to Off Radio

  • Sarah is reading the New York Times

  • Christian is listening to The Revisionists

  • Sally is listening to Nuuro

  • Jess is reading My Secret Playlist

  • Ana is playing a good mood

  • Chanoa is watching Tabatha’s Take Over

  • Sindhu is spotting patterns in the sky

  • Rajasee is reading Garfinkel

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