Tessar Lo

WE'RE SUPPORTING

New York-based, Australian art director Deanne Cheuk — an occasional contributor to Lost At E Minor — is one of the most adventurous and creative designers around. Her work on Tokion magazine, in particular, for which she shaped the visual direction over several years, was inspiring, pushing the boundaries by incorporating illustration, offbeat color touches and avoiding the straight portrait shots which seem to dominate the front window of every inner-city newsagency.

WE'RE TRAVELLING TO

MP5 + TO/LET are a collective of three girls from Rome and from Bologna who have been working on installations and graffiti since 2006. This graffiti was created in Medika, a new squat in Zagreb, Croatia. They were invited there for the Vox Feminae Festival, and this was painted in four days in the main entrance. Read more

WE'RE WEARING

Finding an original accessory these days is a bit of a rarity. I mean, when every second person you see is wearing one of those damn Palestinian scarfs, you know the industry is crying out for a fresh take. Enter Sydney-based jewellery label August + Pemberton. Read more

WE'RE THINKING

I’m such a sucker for colored pencil these days and I’m really digging the way UK illustrator Peter James Field goes at it. The pencil brings a soft, folkiness to what might otherwise be pretty straightforward renderings.

WE'RE READING

Yes, we’d like to believe we’re all adults, but sometimes, after a few beers, it’s fun to play a game of Who’d You Rather? Read more

Sydney indie heroes (in the nicest possible way), The Paper Scissors (TPS to those that know the secret handshake) have made a video for their new single, The Bandit. And it’s good. Damn good.

WE'RE LISTENING TO

After getting lost in the quagmire that is the internet, M83’s Digital Shades, first released digitally in 2007, has just been given a space on the shelf in your nearest music shop. Before shooting to acclaim with Saturday=Youth, Anthony Gonzalez looked closer to Krautrock and Eno and produced this ambient sometimes beautiful record. There’s much less of a disco feel than both Saturdays and his first album, Before the Dawn Heals Us. Some might say it’s a bit self-indulgent, not easily accessible, and more of a soundscape than a pop attempt. Yet, like Eno, Gonzalez is slowly becoming a master of the perfect chord sequence, and the result is an interesting, often heart-wrenching, set of compositions. Read about M83’s favourite songs right now.