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holy ghost

Music / Holy Ghost!

DFA Records need little introduction to dancefloor devotees, but Hold On, a recent release by lesser known artist Holy Ghost!, may not be on the radar just yet. It will be though: we nominate it for track most likely to receive stereo overplay.

[audio:http://www.fileden.com/files/2008/3/19/1823223/01%20Hold%20On%20%28Mock%20And%20Toof%20Remix%29.mp3]

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Moby “My Secret Playlist”

Welcome to the first issue of Lost At E Minor’s new email publication — My Secret Playlist — a weekly peak inside the MP3 collections of some of our favourite musicians, bands, and producers, giving us a rundown on their eight favourite songs or albums right now. For the first issue, we have a wickedly talented and creative producer and DJ. It’s, wait for it, just a little longer, nearly there. Ok, it’s Moby, from some otherworldly universe

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A musical prize pack

We have some signed Moby and M83 merchandise — CD, LP, posters, stickers — to give away, along with Jose Gonzalez iPod covers. Read more

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Gnarls Barkley limited edition posters

Clear some wallspace. We have three limited edition posters from a recent Gnarls Barkley show to give away to Lost At E Minor readers. Read more

Also by SACHA VUKIC

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The Depreciation Guild

The Depreciation Guild is two guys and a Famicom. That’s techno for a certain brand of gaming hardware — Nintendo. The result is an intoxicating swirl of shoegaze dreampop and electro artfulness that leaves you swooning. Kurt Feldman and Christoph Hochheim take notes from My Bloody Valentine, Ride, and Cocteau Twins, as well as more contemporary acts like M83 and Ulrich Schnauss. Hmmm. Taking your beloved old school Nintendo Entertainment System to unexpected concert-hall packing potential; now there’s an idea! Their album — In Her Gentle Jaws — is available for free download via their website. [hear also the music of fellow Brooklynites, Yeasayer]

Listen to The Depreciation Guild track, Sky Ghosts.

[audio:http://crackersunited.com/blog/downloads/skyghosts.mp3]

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David Reed

It’s either the eye-pop effect of his palette or the graffiti tag sensibility of the brushstrokes that endear David Reed’s new paintings to me. They just seem familiar. In what can feel like an austere and exclusive world of high culture and Chelsea art openings, his solo show opened with a mix of 20-something hipsters and beret-topped collectors. So it seemed like Reed achieved what his bio outlined as his original premise — to re-contextualize abstract painting within a greater visual culture. His exhibition runs at New York’s Max Protetch Gallery until December 22.

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Clinton Gorst

Says Sydney-based artist, Clinton Gorst, of his work: ‘About fourteen years ago, I started to make collages for my walls when I was living in a bedsit in London, and soon after that I started to give them away as framed presents. It was just a hobby at the time, but that grew to become a passion once I started to collect resources for future works. I was encouraged to exhibit after a friend of a friend looked at my works and bought five or six pieces on the spot! Recently, I’ve been taking my own photography and using that in photomontage. I’m also creating a new series of digital images that mixes portraiture with pop aesthetics’. Read more

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It’s official, I’m back into jewellery after detoxing from the 2001 chandelier earring craze. Aurélie Bidermann used to work at Sotheby’s New York in their Impressionist and Contemporary Art department but has been slowly raising though the ranks as one of the most innovative jewellery designers around today. Her website doesn’t showcase her fantastic Spring 09 pieces. Check out the accessory report on style.com for a good look at some of her new work.

I love art that scares me a little. Erica Eyres somehow manages to make subtly unnerving drawings of distorted figures using nothing more than a ballpoint pen and a piece of paper. She renders shockingly realistic hair, yet skews the proportions and features of her subjects, exaggerating their expressions and making them look monstrous.

Tim Lee’s illustrations are wonderfully intricate and precise, a tangled world of escapism and realism mixed into one. Read more


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DJ Spooky — That Subliminal Kid — is just about the deepest crate digger around, trawling the barrels of long-lost record stores for choice vinyl to spin in his wickedly dubby sets. He gave us the inside word last week on his eight favourite songs right now via our sister website, My Secret Playlist. This is what he had to say about Lee ‘Scratch’ Perry’s Panic in Babylon: ‘If there’s anything that the twenty-first century has told us, it’s that dub is the real original hip-hop. Lee Scratch even had to make it clear in 1965 by adding “Scratch” to his middle name. Take that, Grandmaster Flash!’ Read the rest of DJ Spooky’s Secret Playlist.

Artist David Shrigley’s animated music video for Blur is so simple, so sweet, so perfect. I don’t know how many times I’ve watched it, yet it still makes me cry every time.

Beijing-based band Hanggai write original songs in the traditional folk styles of their Mongolian ancestors — throat-singing, horsehair fiddles, lutes — spearheading an Asian version of the old-time revival. Though it’s only through the digital age that the rest of the world can access this beautiful music, it makes you want to slow down and reflect on what we’ve lost as a species. This stuff makes every flavor of the month indie band seem vapid and meaningless.

Ben Thomas applies the skills he learned at the International Design and Animation School in Adelaide to make large, wide-angle photos of massive urban landscapes look as if they are tiny dioramas. Read more


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Two Americas

There are two Americas: one which strives to create its own culture, music, and art with a strong sense of ethics in mind, and another that drinks 32-ounce energy drinks before waiting on line to get into a club packed with women trying to get back at their overbearing fathers, and homophobic men with a fondness for Axe body spray. How do we bridge the divide?

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James Jean on the work of Rob Sato

We asked Californian artist, James Jean, to tell us about an emerging illustrator whose work he loves right now. This is what he had to say: ‘Rob Sato offends me. Read more

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Sam Weber on his favourite emerging artists

We asked illustrator Sam Weber to give us the inside word on some of the young artists who have caught his eye recently: ‘Francis Vallejo, Yoko Furusho [above], and David Jien [below]. For up-and-comers, they are a few with some really amazing work’. Read more

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Adult Hotel opens in Nanning, China

State-controlled news outlet Xinhua reports that a new ‘adult hotel‘ is opening in Nanning, the capital of Guangxi Province in southern China. Apparently state censors think homosexuals and tattoo parlors sully their nation’s image, but not establishments aimed at facilitating heterosexual unions. The owner is apparently worried his business will be perceived as a brothel. Hmmm. In any case, the photos of a staff member demonstrating the, uh, equipment is caption-worthy for sure.

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Kristin Baker

Kristin Baker’s paintings strike the eye like massive Hollywood blockbusters, but have the elegance of delicate watercolors. Read more

Cassettes Won’t Listen is the brainchild of New York-based, multi-instrumentalist and producer Jason Drake and is the latest of an abundance of musical monikers he has realised over the years. Small-Time Machine is Cassettes Wont Listen’s first-ever physical release and is available for US$23.70.
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the faint

WIN

Woohoo! We have five copies of the new Faint album, Fascination [Inertia], to give away to randomly selected Australian-based Lost At E Minor subscribers who leave a message under this post telling us about the last time they, ummm, Fainted.

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