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Mini Manjellen

Art / Michelle Vandermeer’s Mini Majellen

I’ve been a big fan of Michelle Vandermeer’s work since I came across her Mini Majellen zines at this year’s Sydney Writers Festival. Describing herself as a doer — as in one of those people who are always doing or making something — Michelle’s work, which includes book binding, illustration, jewelery making and her zines, stems from an internal creative springboard and a double degree in architecture and graphic design. Her work is smart and succinct. When did you first venture into making zines? ‘I set out to make a zine when I was in my third year of my design course, but I accidentally made an artist’s book instead! Being a graphic designer, I went totally over the top with all the different papers I used and the hand embellishments and the bindings. A few months later, I decided to try something more ziney and simple, and ended up with Mini Majellen’. Do you have any favourite zines in your own collection? ‘One of my most favourite zines was actually the first one I discovered. It’s called Little, and it’s an A6-sized perzine created by Brisbane-based writer Joanna Coltman. I can credit Little with introducing me to zine subculture’. What do you think marks a good zine from a bad one? ‘I think a good zine is one that has had some good, expressive, creative thinking go into it. For example, I love the Melbourne zine YOU because it has a clear pivotal idea — a weekly letter to the world, delivered in a handcrafted paper bag — and I love Vanessa Berry’s zines because her quirky writings are beautifully focused on her inner-city exploits and observations. And I particularly love zines that have a purpose, like Ivana Stab’s tiny zine that gives ten suggested ways to enjoy Sydney’s western suburbs. Bad zines are too random, too pointless, too ‘nothing’. Like any method of communication, you’ve got to consider both the medium and the message, and the good zines successfully utilise both well’.

Mini Manjellen

 

Mini Manjellen

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YOU'RE SAYING (1)

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Kate said | 13 December, 2007

Wow…outstanding packaging/presentation…they all look beautiful!

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Ok, a confession. And one made with the full weight of its implications bearing down on me like a load of feathers. Extra soft ones of course (well, it is my confession). When I see bands play - and I mean good bands; bands with rhythm - my right leg gyrates like a stunned jellyfish. Read more

London-based indie-prog group Klaxons take their name from the Greek word ‘to shriek’. We interviewed vocalist and keyboardist, Jamie Righton, and asked him why, unlike many of their contemporaries, none of them grew up to become great footballers: ‘Me and Simon are from Stratford-upon-Avon and the only famous footballer to ever come from there is Gary Barnett! Jamie’s from Bournemouth and there are even less from there. I was asked to play for the Tottenham Hotspur Legends and Celebrities team in a new Sky TV programme but it clashes with our US tour. Gutted’. Read more


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What a wonderfully grown up ethos of punk is to be found in the latest effort by New Zealand’s Stolen Girlfriends Club. I saw sequin, lace, leather, denim, tulle, rhinestone and what appeared to be heshen, breaking all the rules of taste but nevertheless making me very, very happy. Read more

There was a time, many moons ago, when I would only listen to bands off New Zealand’s Flying Nun label. Yup, I would strap myself into a comfy chair, put my headphones on and, armed with a chunk of chocolate coated Peanut Slab and a can of L&P, soak up album after album of wonderfully self-indulgent low-fi melancholy. Read more

Italian architect Antonio Cardillo is of the opinion that architecture is only still in pictures, as in its real life it is in a state of transition with man and light moving through it. Read more

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WIN

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