Lost AT E Minor

WE'RE SUPPORTING

New York artist James Jean doesn’t need any introduction. But, just in case you haven’t seen his work yet, take a peek now. And forever be in awe. We caught up with him recently in his studio and asked him about the props for his daily inspiration: ‘Sometimes I’ll have my laptop setup next to my work station so that I can listen to audio books, the radio, or have videos playing in the background. But mostly inspiration comes from books and magazines’. Read more

WE'RE THINKING

I’m so digging the work of Santa Monica artist Andrew Hem. Painting seems to have become relegated in the illustration world these days, so I’m pleased to see Hem rocking it in a big way. His bold brushwork, lush colors, puppet-like figures and painted type make for a body of work that really hits the painted spot.

WE'RE WEARING

The My Town In My Home collection of hand-knitted fashion by Yoshikazu Yamagata and Mafuyu was exhibited at this year’s Amhem Mode Biennale in Amsterdam. Sure gives a new twist to the saying, ‘wherever I lay my hat …’ [see also the Brain Bag by Jun Takahashi]

WE'RE READING

DJ Spooky — That Subliminal Kid — is just about the deepest crate digger around, trawling the barrels of long-lost record stores for choice vinyl to spin in his wickedly dubby sets. He gave us the inside word last week on his eight favourite songs right now via our sister website, My Secret Playlist. This is what he had to say about Lee ‘Scratch’ Perry’s Panic in Babylon: ‘If there’s anything that the twenty-first century has told us, it’s that dub is the real original hip-hop. Lee Scratch even had to make it clear in 1965 by adding “Scratch” to his middle name. Take that, Grandmaster Flash!’ Read the rest of DJ Spooky’s Secret Playlist.

History is the story of the winners, and western dominated culture recounts few triumphs from the east. Mongol is an effort to correct this balance, and the eastern influence is evident in much more than just the storyline. It is more like a fairy tale or legend handed down through generations, than based on fact, with mythical elements playing a major part, and the character’s motivations remaining simple. Read more

WE'RE LISTENING TO

Driven by a wide spectrum of influences, the music of Brass Bed moves easily through an eclectic mix of genres: from alt-country ballads and progressive rock hooks, to sticky-sweet, heart-felt lyrics, and dissonant experimental freak-outs. As some wise folk have noted, it’s kinda like a cross between The Beach Boys and The Flaming Lips. Now, how could that be a bad thing? We have two of their songs — Olivia [listen below] and Polar Bird — available for free download in the Music Download section in the third column of Lost At E Minor.
[audio:http://www.fanaticpromotion.com/projects/brassbed/mp3/brassbed-olivia.mp3]

WE'RE TRAVELLING TO

When I first moved to London and didn’t know a soul, I joined up with the British Film Institute [BFI] and started going to the talks they put on. When I went to see Gene Wilder speak, all the know-alls in the audience kept asking questions, not to find out anything, but just to show off to the room how much they knew about film making. He got annoyed. Genius boy genius.