Illustration / Andrea Innocent
Andrea Innocent’s work is heavily influenced by Japanese art and culture. Themes range from investigations into the cult of Otaku, to traditional Japanese folk tales and textiles.


Also by ZOLTON
There’s some awesome new work up on New York-based illustrator, Sam Weber’s website, including this one above which is did for the Soulpepper Theatre. We asked him a little while back about what his studio workspace was like: ‘I am fairly particular about where I like to work, and what sort of stuff I like to have around me. There are things that I look at often — a book of Max Ernst collages, one on Yoshitaka Amano, and a big stack of clippings from magazines and the Internet that I will periodically leaf through to get inspired’. Read more
Many years ago, when my hair was longer and my clothes were shabbier, I played guitar in a Sydney-based rock band. We never come to anything more than a few years worth of gigs and a deeply closeted aspiration to take the radio charts by storm. We never did. A lack of talent intervened, but it was damn fun while it lasted. Anyway, at one point during this debauched period of my life, I had a friend who was the frontman for the exotically named, Blue Apples of The Moon. He had an unusually resonant baritone and a penchant for writing epic music. One day he handed me a demo cassette with a batch of his new songs on it. I took it to work with me the next day, whacked it into my Sony Walkman, and immediately swooned amongst the lulling tones and fretfully beautiful lyrics of this Leonard Cohen classic. I was gobsmacked. Totally mesmerised. And having never heard it before, I presumed that my friend — this humble frontman of a bizarrely named rock band — had just penned the greatest song of our generation. For about eight minutes and seventeen seconds, I was convinced he was genius. That was until one of my workmates pointed out that it was actually a Leonard Cohen masterpiece, one of many. It turns out that my friend’s demos were on the other side of the cassette. And they were pretty average. But hell, anything would be after this unholy precedent.
A little while back, we ran a week long diary from Australian pop band, The Grates. It was kinda to get a window into the world. Hell, voyeurism is the new black. So we asked Melbourne-based rock band, The Basics, to do the same thing as they bring their music to the deepest reaches of Australia’s Northern Territory. These are the words of bassist and vocalist, Kris Schroeder: ‘Friday November 7. Darwin. It’s a weird old joint this one — I can probably compare it closest to Queensland’s Cairns, with the backpacker industry making up the life and character of the Central Business District. This makes it particularly good for bands, as you’ve got a ready audience staying only metres away from the music venues. Today was our first Darwin gig (at Monsoons), and it was a ripper. I’d organised with my mate Nathan to bring up the Sunshine Reggae Band from Ikuntji in the Western Desert, and they were going to be the first Indigenous band to play in the main street of Darwin, which is apparently quite a cultural breakthrough. The best bit was how well received they were, someone saying “This is great, because it’s what you should expect to see in Darwin, not just bloody cover bands all the time.” Quite chuffed. By the time we played it was packed out, and everyone was loving it. Job done’. Read more
YOU'RE SAYING (1)
HAVE YOUR SAY
I spent last weekend at the New York Film Festival watching director Wong Ka-Wai’s inspiring lecture and premier of Ashes Of Time Redux, the remastered, re-edited, re-scored 1994 Hong Kong classic. It was just drop-dead gorgeous and painfully beautiful. Words fail me. Wong Ka-Wai is just pure genius. It opens Friday in New York City. Don’t miss it.
So I interviewed Bianca, one half of Coco Rosie, the other morning. Love their music: very dramatic, almost operatic in its scale yet imbued with a sense of sonic unease that carries the divine melodies well beyond their maudlin minor key progressions. Read more
LA-based designer label Grey Ant has been under my radar for quite some time now, but the Spring 08 collection is what really made me a ‘Grey Ant junkie’. Read more
DJ Spooky — That Subliminal Kid — is just about the deepest crate digger around, trawling the barrels of long-lost record stores for choice vinyl to spin in his wickedly dubby sets. He gave us the inside word last week on his eight favourite songs right now via our sister website, My Secret Playlist. This is what he had to say about Lee ‘Scratch’ Perry’s Panic in Babylon: ‘If there’s anything that the twenty-first century has told us, it’s that dub is the real original hip-hop. Lee Scratch even had to make it clear in 1965 by adding “Scratch” to his middle name. Take that, Grandmaster Flash!’ Read the rest of DJ Spooky’s Secret Playlist.
Produced by our talented friends over at Miami-based studio, Common Machine, this is the first installment of a new bi-monthly series of exclusive Lost At E Minor videos that they will be putting together for us. This one is on marionette maker, Pablo Cano, who uses ‘mundane objects to create magic on a string’. And he does. We hope you enjoy!
Don’t be afraid of the word retro. It has haunted us all from time to time, but one group that has embraced it with open arms is UK duo, La Roux. Their music is synth pop in the vein of Calvin Harris, Human League, The Eurythmics, and The Knife. There are quite a few of these young and ambitious pop starlets on the scene including Goldielocks. But La Roux takes the cake. Literally. I’m obsessed with their song In For the Kill and have a feeling summer will take it and make it a hit.
Along with San Francisco and Barcelona, New York is arguably the modern street skating city, both in reality and image. Because of the unique background, experience and perspective of the film’s creators and the decision to “cast” the city of New York as one of the main characters, Deathbowl to Downtown promises to be an unprecedented, seminal film. Read more
WE'RE POSTING / SOME OF THE BEST
People are always looking to push the boundaries of street art, perhaps fed up with seeing the same (wild) style of graffiti over and over again. So, like Blu and Dan Witz, Julian Beever came into our lives like a breath of fresh air. His work is stunning, mind-boggling stuff: he manages to create a world ‘inside’ a pavement with his 3D pastel illustrations, tricking the eye into believing a dimension exists right below our very feet. Read more
I like Roots Manuva because he tells stories. I know that sounds simplistic, but honestly, have you noticed how rappers, certainly American rappers, have stopped narrating their lives and are purely focused on how great they are? I know, I know, hip-hop is all about word play, slang, and blah blah blah. Read more
Pictures taken at just the right time
You don’t have to be a skilled photographer to take the best snaps: some just appear out of absolutely nowhere. This site has collected together some of the funniest, cruelest, most alarming — yet completely spontaneous — photos circulating the web. Thank god for other people’s suffering! Read more
Download the new Michna album, Magic Monday
The media world is firmly embedded in the twenty-first century digital revolution, so we thought we better keep up with the times. Read more
Kristin Baker’s paintings strike the eye like massive Hollywood blockbusters, but have the elegance of delicate watercolors. Read more
Australian illustrator Moofus is just 11 years old. As he says, ‘my mum and dad won’t let me leave school to get a proper job, so I draw lots of pictures’. This limited edition print of Sydney’s Coogee Beach is printed on Epson heavyweight matt paper with archival inks and is just US$20 through the Lost At E Minor store. Read more
Woohoo! We have five copies of the new Faint album, Fascination [Inertia], to give away to randomly selected Australian-based Lost At E Minor subscribers who leave a message under this post telling us about the last time they, ummm, Fainted.
DISCOVER MORE
SO...
TAGS: acoustic music animals animation Australian bands Australian fashion black and white illustrations blogs Brooklyn Brooklyn artists Brooklyn bands cartoons China collaboration colour colourful artwork colourful illustrations comics electronic music flash games folk music Hip Hop Japan jewellery London Los Angeles magazines Melbourne New York New York artists New York bands New York illustrators pop music portrait portraits prints rock music San Francisco soul music street art surrealism Sydney Sydney bands t-shirts technology UK bands
POPULAR:
- Marc Collin: My Secret Playlist!' - loved 63 times
- Brittanie Pendleton - loved 50 times
- Elaine Biss's feminine charms - loved 25 times
- Ed Harcourt: 'My Secret Playlist' - loved 22 times
- Prefab House - loved 19 times
- Andreco's brilliant visions - loved 18 times
- I Give Up On T-Shirts - loved 18 times
SEARCH: Can't find what you're looking for? Do a search..
IS IT GOOD FOR YOU TOO?
We hope you're enjoying your time on Lost At E Minor, but it’s not over yet. Got something to share? Tell us about it and we'll look to publish it. If you want to have your work featured on the site, we'd love to hear from you. Or if you’d just like to talk amongst yourselves, that’s cool too. Pssst, we also have an online store stocking some of the goodies we feature on the site.
If you're a media agency and want to use this platform to connect with our readership, then drop us a line and tell us about it. Oh yeah, and we do digital consulting for cool brands that want to reach the sort of demographic that visits this site.









kara Rasmanis said | 29 November, 2007
awsome work….