Iron & Wine
I caught Iron & Wine play live last year and it was a typically soothing and mesmerizing set, until I was introduced to a different side of Sam Beam towards the end when he was joined on stage by co-headliners Calexico and struggled to contain his excitement as Joey Burns and Paul Niehaus worked with him to re-create songs featured on the In the Reins album. Beam has since taken his newfound passion for layered rhythm into the studio. His latest release, The Shepherd’s Dog, is denser, more textured and diverse, and as a result, more listenable than much of his earlier material. He has surrounded himself with a vast array of musicians and instruments that add new textures to his sound without distorting its fundamentals. It really is a classic album, well worth hocking the house for.
Listen to Iron & Wine’s Boy with a Coin.
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Also by DAN MORGAN
I’ve never heard anything like them — so accessible yet not quite pop, devilishly dark yet not quite math rock, and precisely rhythmic yet not quite electro. Seattle band Minus The Bear’s latest release — Planet of Ice — isn’t a massive deviation from their 2005 release, Menos El Oso, though it does have a more confident urgency to it, with tracks like Knights and When We Escape in particular.
Listen to Minus The Bear’s Knights and watch the clip to their song, Pachuca Sunrise.
Bad Religion released their debut LP way back in 1982. Twenty five years on sees the release of New Maps of Hell, their 14th studio album. I think it’s fair to say that after a quarter of a century most bands tend to sound a little tired. But Bad Religion are definitely not showing any signs of fatigue, sustaining their intense energy levels and continuing to evolve their sound whilst maintaining credibility within the scene. Their sound has helped to define a genre and has been a major influence on many Southern Californian punk bands (no names necessary). So if you want a lesson in hardcore heritage and a taste of punk future at the same time, New Maps of Hell is certainly worth checking out.
James Lavelle and Richard File have collaborated once again for the third full length UNKLE release, War Stories. Unsurprisingly, they have recruited an eclectic array of musicians to work with including Ian Astbury (The Cult), 3D (Massive Attack), Josh Homme (Queens of the Stoneage), Autolux, and the Duke Spirit. Fans that have hung onto Lavelle since the days of MoWax and Shadow’s cut and paste revolution are going to like this. It’s an evolution, more hardware and less software, and though it’s not exactly unchartered territory for Lavelle and File, it’s more refined and brave.
Listen to Uncle’s Burn My Shadow.
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Samantha Everton’s latest exhibition, Vintage Dolls, explores ‘history, race and culture through magic realism’. Of the series, Everton says: ‘I was inspired by the innocent act of children playing dress ups and the way they re-enact adult behaviour, concepts and themes, without preconceptions or judgement’. The show runs at the Dickerson Gallery, Melbourne, between March 4-22 and at the Dickerson Gallery in Sydney between April 1-19.
One of Cyberoptix most popular designs is now on some amazing hand-woven, Fair Trade silk scarves. As always, they handscreen them all in their Detroit studio. Read more
I never played Popopop 1, if there is one, but I can’t imagine a game much more simple than this. Just drop detonating balls next to balls of the same color to pop them. I feel like someone out there is getting way to much pleasure playing this game.
In this post-everything mash-up culture, it’s still sometimes disarming to see how a small tweak can completely change the meaning of iconic images. Read more
Artist David Shrigley’s animated music video for Blur is so simple, so sweet, so perfect. I don’t know how many times I’ve watched it, yet it still makes me cry every time.
DFA Records need little introduction to dancefloor devotees, but Hold On, a recent release by lesser known artist Holy Ghost!, may not be on the radar just yet. It will be though: we nominate it for track most likely to receive stereo overplay.
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With the recession still biting, it may be time to whip out the glue and the cardboard and make your next pair of cool kicks. Don’t know how they’d manage in the rain though? Read more
Forget battery powered vehicles. Cars made from ice are the future of transportation: no pollution, no honking horns, no painful rap music blasting out of souped up stereos. And if they melt, they melt. You just swim the rest of the way down the slipstream.
Trip out with Sparrow Vs Sparrow’s retro illustrations, I love their aesthetic, color use and sense of humor. Read more
I live the upbeat, feel good tempo of the new single — A Hundred Hearts — from Philly group, The Swimmers. Off their latest album, People Are Soft, this song is a strangely fitting anthem for the blustery day outside.
Creative advertising packaging
Despite the intentions of many, it’s not so often that advertising — as an industry — truly thinks outside the box. Yet, when executed well, clever eye-catching advertising actually works. It does. As these examples will attest to. Read more
Thanks to Sony Australia, four Lost At E Minor readers will win personal audio prizes, including the new 8GB Walkman S series video MP3 player and the MDRXB500 Extra Bass headphones. Read more
Made from 100 percent organic cotton and eco-friendly, this super soft tee celebrates a sinister world of kaleidoscopic colours and ripples of psychedelia, of serenading Queens, of dancing flamingos, of unimaginable euphoria. It’s all the work of Sydney label, Das Monk and it’s available through the Lost At E Minor online store for just US$40. Now, there’s one hell of a Christmas present, even if we do say so ourselves! Read more
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