Mike Nelson at Creative Time
Entering Mike Nelson’s exhibition in a dilapidated garage on New York’s Lower East Side, I’m signing a release form exempting Creative Time from any responsibility should I be injured, or die, while checking out ‘A Psychic Vacuum’. I was curious to see what socio-cultural hotpot he was gonna stir, but after signing that, I’m totally seduced, just by the potential danger of it all. Racy it may seem, but the ensuing exhibition is about as sexy as Dubya in a garter belt. Though it manages to arouse more than a few dust reactive sneezes, digging up buried fears of a global apocalypse that feels far too close right now. Known for his large-scale architectural installations, Nelson’s turned an irrelevant warehouse-like space into a haunted house of hard cultural truths tackling American values, religion, and war in its spookiest caverns. Nelson’s installations are fleeting, this experience ends October 28.
Also by SACHA VUKIC
The Depreciation Guild is two guys and a Famicom. That’s techno for a certain brand of gaming hardware — Nintendo. The result is an intoxicating swirl of shoegaze dreampop and electro artfulness that leaves you swooning. Kurt Feldman and Christoph Hochheim take notes from My Bloody Valentine, Ride, and Cocteau Twins, as well as more contemporary acts like M83 and Ulrich Schnauss. Hmmm. Taking your beloved old school Nintendo Entertainment System to unexpected concert-hall packing potential; now there’s an idea! Their album — In Her Gentle Jaws — is available for free download via their website. [hear also the music of fellow Brooklynites, Yeasayer]
Listen to The Depreciation Guild track, Sky Ghosts.
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DFA Records need little introduction to dancefloor devotees, but Hold On, a recent release by lesser known artist Holy Ghost!, may not be on the radar just yet. It will be though: we nominate it for track most likely to receive stereo overplay.
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It’s either the eye-pop effect of his palette or the graffiti tag sensibility of the brushstrokes that endear David Reed’s new paintings to me. They just seem familiar. In what can feel like an austere and exclusive world of high culture and Chelsea art openings, his solo show opened with a mix of 20-something hipsters and beret-topped collectors. So it seemed like Reed achieved what his bio outlined as his original premise — to re-contextualize abstract painting within a greater visual culture. His exhibition runs at New York’s Max Protetch Gallery until December 22.
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Pictures paint a thousand words, and so do these illustrations. American artist John Sokol sketched these drawings by using a multitude of statements to form each piece. Read more
I came across Nigel Cox’s work at the Royal Society of Portrait Painters Annual Exhibition at the Mall Galleries in London. I was blown away by his remarkable, detailed figures and his minimal compositions. His paintings are subtly powerful and filled with optimism and confidence. Cox is based in London, UK and works in his studio near Camberwell. Read more
Back in the day, when I was a skinny teenager on the great pedestal of life, I had a real obsession for the understated, low-fi, deliciously melodic and somewhat blurry sounds of the New Zealand Flying Nun bands. I would pool my meagre savings and canvas the local record shops, scouring the racks for the latest cassettes from The Bats, The Chills, The Clean, and, later, The Straitjacket Fits. Read more
I was never a big fan of Barbie, but I would travel to Shanghai just to visit this mind-blowing castle for Barbie dolls. Read more
Our friends at College Humour have taken a decidedly literary tack with their latest spoof on newly minted classic book titles. We can’t wait for the next installment: The Girl Who Mistook Herself For a Hat. Read more
It’s only fitting a band of Canadian rootsters like this would tap a mythical figure of folklore for their namesake. Indeed, Ottawa’s The John Henrys understand the power of the familiar. Read more
Loomstate has been a casual eco-friendly clothing design alum since 2001, and a beacon for eco-fashionistas who love to lounge and look lovely. So it’s no surprise that this spring, Loomstate is partnering with Target to bring 100 percent organic cotton and sustainable silk blends to the masses. The line, which has a starting price at around fifteen dollars, drops April 19, just in time for Earth Day.
WE'RE POSTING / SOME OF THE BEST
Matthew Dear’s Black City album totem
Our friends at Ghostly International are releasing Matthew Dear’s Black City album as a limited edition ‘totem’. A what? A totem – a limited edition metal bar used to access a private music chamber. Cool! Read more
Cookie Boy’s creative cookie designs
I don’t eat cookies, so good thing Cookie Boy’s cookies are little pieces of art too pretty and cute to eat. Read more
The return of the Brionvega rr226
Italian brand Brionvega has resurrected the classy Radiofonografio piece first created in 1965. The updated version is just like the original turntable/radio unit, but also has a CD/DVD player.
It’s refreshing to see artists like Joe Kievitt who are contented to explore the beauty in simple forms and asymmetrical patterns. Read more
Francoise Nielly’s Yellow series
Parisian visual artist Francoise Nielly brings technicolour to the forefront in her latest series, Yellow. Featuring thick impasto palette knife strokes and trippy neon hues, Nielly captures the vulnerable expressions of her muses to a tee. Read more
Junior Massive is a newly launched Australian boutique t shirt label making limited edition tees using only Australia cotton. It’s street meets indie; design meets durability; edgy fashion meets edgy fashion. We have them for sale in the Lost At E Minor online store. Read more
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