Twen magazine

WE'RE SUPPORTING

If gold fronts are just a little too flashy for you, head over to Salt Lake City where Steve Heward at Heward Dental Lab will give you a ‘dental tattoo‘, which is actually a crown onto which he or another one of his artists can paint an image of your choice.

WE'RE TRAVELLING TO

Italian architect Antonio Cardillo is of the opinion that architecture is only still in pictures, as in its real life it is in a state of transition with man and light moving through it. Read more

WE'RE WEARING

Ed Janssen is famed in Melbourne for his jewellery designs, sold through cult Morrissey-friendly label This Charming Man. ‘The Knuckle Sandwich’ charm necklace (two pieces of bread on either side of a tiny set of brass knuckles, as pictured above) exudes an oddly amusing menace. More recently ‘The Bear Trap’ has been dangling from every second neck, wiping out hope for Melbourne’s unsuspecting tiny forest animals. Janssen is about to launch a new range inspired by the iconography of various secret societies. Melburnians can check out their old and new favourites at the first This Charming Man exhibition launching this week at Alice Euphemia’s new store. Flex those tiny knuckles and watch those tiny feet. Read more

WE'RE THINKING

There is something almost apocalyptic about the intense black and white decimated, chaotic landscapes that French artist Didier Blondeau lovingly depicts.

WE'RE READING

Our celebrity-saturated culture makes many of us irrationally hateful of the faces we see on our TV screens and magazine pages. Good thing there’s Celebrity PunchOut to let off some of that steam.

Not much more needs to be said about this. Ricky Gervais, the funniest man in England, meets Larry David, the funniest man in America. Wit and genius collides. Very, very clever.

WE'RE LISTENING TO

A culmination of nearly four years of writing and recording, Omaha quintet, The Faint are preparing to release their fifth album, Fasciinatiion, on August 5 on the band’s own newly-formed label, blank.wav. Working without any time constraints, the songs went through many recorded incarnations before finding their final forms. The result is the best album in the band’s career, a record that is the purest culmination of The Faint’s brilliant musical instincts, ideas and aesthetic, with each member contributing equally to its creation.