Lost AT E Minor

New Practical Heritage

Herzog and de Meuron, the Swiss architects, have led the way with this re-use of the existing building fabric of CaixaForum in Madrid. Rather than being slavish to the existing openings, the building has been cut away for a contemporary practicality. We think this is an example of heritage not getting in the way of progress. Check out a similar concept of a previous post re-using the city fabric, where we were dreaming of such thing.

Erica Eyres

I love art that scares me a little. Erica Eyres somehow manages to make subtly unnerving drawings of distorted figures using nothing more than a ballpoint pen and a piece of paper. She renders shockingly realistic hair, yet skews the proportions and features of her subjects, exaggerating their expressions and making them look monstrous.

Micah P. Hinson takes the good with the bad

We said a few weeks back that Micah P. Hinson is ‘like every rustic, broken down, and pieced back together country great that’s ever been. Only hipper and slightly less sombre’. With that in mind, we spoke to him recently and asked him whether his hometown of Texas was a difficult place for a young, aspiring musician to grow up in: ‘The boredom of Abilene [Texas] helped the creativity. There wasn’t much to do to fill a person’s time, so you had to find ways of filling it. So as far as music, this was helpful. But regarding other extralegal activities, it was not so helpful. But you know, you take the good with the bad, mix it up, and see what pops out’. Read more

Anatomic Models

Kikkerland, the company behind those campfire tea light holders, has a line of amazing snap-together anatomic models of beetles, frogs, moths, cows, humans, and a wide range of other animals, even a wooly mammoth. Where the hell were these when I was a kid?

Brian Ulrich

I love the sense of intimacy about the work of Chicago-based photographer, Brian Ulrich. His retail project Copia ‘is a long-term photographic examination of the peculiarities and complexities of the consumer-dominated culture in which we live’. We interviewed him recently and asked him what camera he uses once he gets inside a store he’s photographing: ‘For many of the pictures in the Retail project I used a medium format SLR with a waist level viewfinder. Having a finder that you can look down into instead of holding it to your eye calls a lot attention to yourself as well as allows one to hold the camera still at much slower shutter speeds. Regardless of those things though, the majority of the time it takes a combination of patience and boldness. Strangely I don’t run into people having much of an issue with it. Most often I really don’t think people notice. If an employee does ask me not to take pictures I simply laugh and move on, I’m well aware that what I’m doing looks odd. Better to own up and walk across the street to the Kmart’. Read more