Art / In bed with scale
Ron Mueck, an Australian hyper-realist sculptor working out of London, has created this intriguing work ‘In Bed’ that I couldn’t resist. Commentary on scale in architecture is common in a spatial sense, with much of our education revolving around it. Yet as humans, the scale between ourselves seems to be ever increasing. In our own office there is a 50 cm difference in height between the tallest and shortest, a major problem when it comes to purchasing (and no doubt designing) task chairs. This kind of realism could yet be real.
Tagged: Australian artists, intallations, London, sculpture
RELATED
Here’s another commercial building, and no doubt a nice one too. But just another commercial building. Yet there is something different here and it’s in the materials used. The cladding is a fibre-reinforced polymer, or a FRP, and has a finish similar to that of a car. This technology has not been used on buildings extensively, though it has been used commonly in aerospace industries due to its higher strength to weight ratio than steel and concrete. The building by Foster and Partners — called The Walbrook — is located in London and is due to be completed in 2009.
Australian artist Claire Kurzmann creates bright, luminous work that reminds me of misspent childhood days down by the local candy store. Of her artwork, she says: ‘I’d try and draw realistic beings but they’d never work, they always looked odd. They turned out the same way each time. Then I realised that they looked actually looked half-decent in their own way.’
Soho Markets, Berwick Street, London
Fresh fruit? Yes please! Never mind that I had just finished a cottage pie as big as my face. I was going to have a punnet of those raspberries. I couldn’t help myself. Really. They were just sitting so pretty alongside the luscious apples and pears lining the rickety stalls of London’s Soho Fruit Markets, I just couldn’t restrain myself. And it seemed that I wasn’t the only one. Read more
Also by SNELL
Located on a mountain in country outside Mudgee, in New South Wales, Australia, a permanent camp designed by Casey Brown has been set. A timber structure clad in copper has been designed to have a closed state and an open state. From the closed position, the flanks of copper are hoisted and capture views across the valley. With an imagery of structures, materials and mechanics of old, there is something romantic about this foothold on the hill.
Herzog and de Meuron, the Swiss architects, have led the way with this re-use of the existing building fabric of CaixaForum in Madrid. Rather than being slavish to the existing openings, the building has been cut away for a contemporary practicality. We think this is an example of heritage not getting in the way of progress. Check out a similar concept of a previous post re-using the city fabric, where we were dreaming of such thing.
Rainwater tanks are here to stay. Not only is the general populace turning to them as the realization sinks in that water is a scarce resource, but they are also being legislated by government at all levels. The unfortunate problem is that the vast majority are not the most attractive additions to the built environment, particularly the latest round of polypropylene models, which are mostly big beige blobs. Read more
YOU'RE SAYING (2)
Pablo F.P said | 20 February, 2008
very realistic
HAVE YOUR SAY
Erika Larsen’s cattle ranch photographs have a surreal yet timeless quality to them. I would never have guessed that they were commissioned by a business magazine. We caught up with the New York-based photographer recently to find out about her time on the ranch. Read more
Major Stars are another throwback ’70s rock band, playing Sabbath-flavored, guitar-driven psych tunes. But what sets them apart from the horde of Zeppelin-worshipping clones is vocalist Sandra Clarkson, whose voice is clean and feminine, but loud and aggressive — she doesn’t try to affect a Janis Joplin rasp. The band’s music also skews heavily towards the Acid Mothers Temple end of the ’70s revival thing rather than the Wolfmother side, another plus. Nope, rock still isn’t dead.
The mining and refining that provides the world with precious metals is also extremely damaging to the environment – each ounce of gold mined generates 30 tons of waste, much of which is toxic. Philadelphia-based Rust Belt make unique, finely crafted earrings, necklaces, and bracelets entirely from re-purposed and recycled materials. The processes they use to make their pieces are also environmentally sound, and they are shipped in beautiful, re-purposed glass bottles.
The AirPiano is an innovative musical interface which allows the playing and controlling of software instruments simply by moving your hands in the air. Above the AirPiano is a virtual matrix of keys and faders, each assigned with MIDI messages ready to be triggered. The length of a triggered note is equivalent to the time a hand is placed on the corresponding virtual key, which is also confirmed by LED feedback.
We have a bunch of new playlists up on our sister site, My Secret Playlist, a music discovery website and weekly email publication in which we invite our favourite bands and musicians to give us the rundown on their eight favourite songs right now. Over the past few weeks, acts such as The B52s, Team Genius, Pivot, Jukebox the Ghost, Moby, Katy Perry, and the Dandy Warhols, among many others, have written about the music that inspires them. To sign-up to receive the weekly My Secret Playlist publication, just enter your email address into the website’s subscription box.
Last night, I caught Pagan Fest at B.B. Kings in NYC. I missed the band that I was the most excited to see, T˘r, but Turisas and Ensiferum more than made up for it. Americans have been pretty late to warm up to folk and Viking metal, and bands of this sort almost never tour the States, so it was gratifying to see that the show was sold out, and that the crowd was so exuberant. Read more
This interview with James Lavelle gives a fascinating window into the making of the latest UNKLE opus, End Titles, Stories for Film.
WE'RE POSTING / SOME OF THE BEST
Located on a mountain in country outside Mudgee, in New South Wales, Australia, a permanent camp designed by Casey Brown has been set. A timber structure clad in copper has been designed to have a closed state and an open state. From the closed position, the flanks of copper are hoisted and capture views across the valley. With an imagery of structures, materials and mechanics of old, there is something romantic about this foothold on the hill.
The last time we heard from Melbourne label TV, they were busy preparing for their debut at Rosemount Australian Fashion Week. Since then, the girls behind one of this year’s most talked about labels have delivered a stunning collection. Read more
Seriously, nothing beats good old 35mm film. To me photography isn’t about capturing every pore in someone’s face, or even making slick, magazine-ready images. The imperfections in film put just enough distance between the viewer and the moment that allows room for an emotional and nostalgic response. Digital photos are generally so vivid that it eliminates all the mystery of an image. Check out Jeff Luker’s photostream to see what I mean. Read more
Beverly St. Clair’s Genome quilts
Artist Beverly St. Clair has translated the four DNA bases into certain shapes and patterns, which she uses to translate genomes into beautiful quilts.
I love the sense of intimacy about the work of Chicago-based photographer, Brian Ulrich. His retail project Copia ‘is a long-term photographic examination of the peculiarities and complexities of the consumer-dominated culture in which we live’. We interviewed him recently and asked him what camera he uses once he gets inside a store he’s photographing: ‘For many of the pictures in the Retail project I used a medium format SLR with a waist level viewfinder. Having a finder that you can look down into instead of holding it to your eye calls a lot attention to yourself as well as allows one to hold the camera still at much slower shutter speeds. Regardless of those things though, the majority of the time it takes a combination of patience and boldness. Strangely I don’t run into people having much of an issue with it. Most often I really don’t think people notice. If an employee does ask me not to take pictures I simply laugh and move on, I’m well aware that what I’m doing looks odd. Better to own up and walk across the street to the Kmart’. Read more
These Fan earrings are finely etched stainless steel on sterling silver hooks (nickel and lead free). The thin metal sheets allow the earrings to be light to wear while still being elegant and striking. Designed and made by Polli in Australia. Purchase now. Read more
UNKLE’s new album, End Stories … Music For Film, comes in a limited edition gatefold vinyl gloss with sculptured panel embossing. We have three copies to give away to randomly selected Australian Lost At E Minor subscribers who leave a comment under this post.
DISCOVER MORE
SO...
TAGS: acoustic music animals animation Australian artists Australian bands black and white illustrations black and white photography blogs Brooklyn Brooklyn artists Brooklyn bands cartoons China collaboration colour colourful illustrations comics electronic music flash games folk music Hip Hop Japan London Los Angeles magazines Melbourne New York New York artists New York bands New York illustrators New York photographers pop music portrait portraits prints rock music San Francisco soul music street art street fashion Sweden Sydney t-shirts technology UK bands
POPULAR:
- Marc Collin: My Secret Playlist!' - loved 60 times
- Brittanie Pendleton - loved 48 times
- Elaine Biss's feminine charms - loved 25 times
- Ed Harcourt: 'My Secret Playlist' - loved 22 times
- Prefab House - loved 19 times
- Andreco's brilliant visions - loved 18 times
- I Give Up On T-Shirts - loved 16 times
SEARCH: Can't find what you're looking for? Do a search..
IS IT GOOD FOR YOU TOO?
We hope you're enjoying your time on Lost At E Minor, but it’s not over yet. Got something to share? Tell us about it and we'll look to publish it. If you want to have your work featured on the site, we'd love to hear from you. Or if you’d just like to talk amongst yourselves, that’s cool too. Pssst, we also have an online store stocking some of the goodies we feature on the site.
If you're a media agency and want to use this platform to connect with our readership, then drop us a line and tell us about it. Oh yeah, and we do digital consulting for cool brands that want to reach the sort of demographic that visits this site.










Lisa said | 27 September, 2007
While that’s a very interesting point to bring up, I don’t think that’s all that Ron Mueck is saying here.
Just look at the spectator/sculpture relationship. The viewer seems scrutinized just as much as the art piece, and the relationship of scale puts you in the more subservient role.
What a strange feeling.
And not just that, but the image of the figure in bed viewing little people surrounding them is a popular one, often used in fairy tales. Are we, here, the unnatural ones? The fey? Or is she a giant?
She certainly looks to be the one more at ease here.
I’d say the audience takes on the role of some kind of nighttime visitation, or dream.