David Shrigley

WE'RE SUPPORTING

Hindu, Greek, and Buddhist mythology informs the work of Brooklynite Chitra Ganesh, who makes cryptic, surreal sculptures, murals, installations, multimedia drawings, and photography that draw from Indian comic books, Bollywood posters, and other ephemera of South Asian culture, as well as 19th century portraiture, anime, and the standard touch stones of a globalized psyche. The absurdity and sexuality of her work present the war between modernity, tradition, and nationality over the idea of femininity – her figures are almost entirely female, and watchful, menacing eyes are a common motif in her work. A lot of her stuff is reminiscent of Raymond Pettibon, in a good way. Read more

WE'RE LISTENING TO

Metronomy are a cool little London-based group headed by producer and remix extraordinaire, Joseph Mount. The sound sits somewhere between Autechre and Vitalic: clanging keyboards and body-gurning beats laced with an undercurrent of ominous electronica. It’s not as inaccessible as much of the more twisted electro-based stuff out there at the moment, although it retains an edge perhaps unpalatable for some ears. Yet there’s a catchiness to it that is clearly roping in the crowds: their live shows are a spectacle, complete with synchronised dancing and flashing costumes. If that floats your boat, they’re playing for free at the Tate Britain, London, on 27 September.

WE'RE THINKING

The artwork of James Belcher is dark and evocative, mini snapshots from an overstimulated mind.

WE'RE TRAVELLING TO

The Suit Up exhibition comprises a number of artworks from various Australian street, comic, and illustration artists, each of whom has applied their unique style to that ubiquitous — yet, rarely tapped — canvas, the playing card. The designs have been produced as giclee prints, signed and numbered by the artists, and are limited to 10 prints of each design. Real-size decks of cards have also been produced for sale. The Suit Up crew is a close-knit group of predominantly Melbourne-based artists who are passionate about Australia’s ‘low-brow’ art scene, which is more collaborative and less ego-driven than much of the the high-brow art world. The exhibition runs between February 13 and 25.

History is the story of the winners, and western dominated culture recounts few triumphs from the east. Mongol is an effort to correct this balance, and the eastern influence is evident in much more than just the storyline. It is more like a fairy tale or legend handed down through generations, than based on fact, with mythical elements playing a major part, and the character’s motivations remaining simple. Read more

WE'RE WEARING

Making feet beautiful, String Republic is the creation of graphic artist Stéphane Bucco. Read more

WE'RE READING

Print Liberation is an exceptional Philadelphia-based creative visual agency whose website showcases a variety of deisgn styles, each immaculately executed. Read more