Will Cotton
Because my main medium is illustration, people often assume that I’m not into paintings. Wrong! I’ve tried painting in past but found that it’s just not my thing. Which means that I have an even higher regard for those who do it well. I’m also addicted to chocolate — not just regular chocolate, but quality chocolate. So when I first saw Will Cotton’s paintings at the Mary Boone Gallery in Chelsea, New York, in 2002, I immediately fell in love with them. They are beautiful, witty, funny and sexy. I want to drown in his enormous landscapes of chocolate, candies and cakes.
Tagged: realism
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Oh man! I just want to curl up inside one of Will Cotton’s artworks and immerse myself in the sweetness of its surrounds. Read more
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YOU'RE SAYING (5)
Yuko Shimizu said | 20 September, 2007
I am glad you liked his work, Charlee! I will try to make more posts on art in future.
monica said | 20 September, 2007
i love fine, dark dark chocolate, too! maybe this guy is overcoming his diabetes…very rich and lush.
are the paintings big?
Yuko Shimizu said | 21 September, 2007
Yes, they are big. Starting around 60″ (about 150cm) . His website shows size of each paintings, so check it out. http://www.willcotton.com
Lost At E Minor: Music, illustration, art, photography and more » Mouths trapped in static said | 1 May, 2008
[...] Like what is the sound of one hand clapping and do canaries ever get tired of singing? [artwork by Will Cotton] time savedtime [...]
HAVE YOUR SAY
Some friends and I serendipitously stumbled across the work the artist Hiro Kurata the other night and we have been jointly obsessing over it since. Kurata’s work is torrid, moody and fragmented like a restless dream. Bursting with texture and patterns, it’s simply brilliant. As my friend Andrew Degraff accurately put it, ‘It’s like Savador Dali thrown through a plate glass window’. Indeed. Read more
There’s something quite attractively kitsch about the Lucky Dragons’ latest release, Dream Island Laughing Language. It’s undoubtedly unusual, and not too friendly on the ears, but something warm and fuzzy keeps creeping out of the broken drum rhythms and looped vocals. It’s a mish-mash of jangly folk licks, Squarepusher-style drum ‘n bass with a few Coco Rosie-esque experimental sound effects thrown in: intriguing, original, and fairly hard to describe!
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Abstracted geometric forms, peculiar clockwork pieces, and a sense of childhood play; I can’t quite pinpoint why I love the jewellery designs of Sydney creative, Elke Kramer, but I do know that her jewellery is unique and off-beat, yet widely accessible and wearable. Read more
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Featuring a design by New York Times Op-Ed artist Igor Kopelnitsky these 5×7 cards have been crafted from Crane’s Lettra Letterpress re-purposed textured cotton paper made from fibres from the fashion industry. The set includes 8 blank cards with envelopes. Read more
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Charlee said | 20 September, 2007
Thanks for introducing us to his work Yuko, its truly inspiring!