Brian Bress

WE'RE SUPPORTING

We love the work of American illustrator, Hope Gangloff. It captures the disposable elements of pop culture in an irreverent and witty way. We interviewed her recently. Read more

WE'RE TRAVELLING TO

The bright, racing, digital, 12 million person metropolis of Tokyo has gone all quiet and traditional. Read more

WE'RE WEARING

I’m not a watch wearer, but if I was, then I’d be rocking the wickedly cool new range of Diesel timepieces. The Basel 2008 collection is a sparkling, futuristic, retrotastic anagram of style, character and precision — of the digital variety. My favorite? The 1980s-themed watch above, with its ’silver metallic leather cuff’ and ‘reflective shine’. Read more

WE'RE THINKING

Sculptor Richard Stipl creates disturbing, gothic, vaguely religious tableaus using hyper-realistic, resin casted figures that quite often are engaged in some bizarre behavior, covered in blood, leaking gore, or otherwise frozen in some horrific pose. A friend of mine said, ‘If you’re going to develop that level of skill, why would you use it to make such ugly things?’ I kind of like gross things, though, so it doesn’t bother me. Read more

WE'RE READING

I’ve been a big fan of Michelle Vandermeer’s work since I came across her Mini Majellen zines at this year’s Sydney Writers Festival. Describing herself as a doer — as in one of those people who are always doing or making something — Michelle’s work, which includes book binding, illustration, jewelery making and her zines, stems from an internal creative springboard and a double degree in architecture and graphic design. Her work is smart and succinct. Read more

I don’t get Flight of The Concords. I just don’t find it funny. I also don’t get most comedy these days. It’s so derivative and clichéd. Everyone wants the same laughs. I like comedy that pushes the boundaries in strange ways. Fonejack is one underground unit that have had me rolling around on the floor with their real life skits. Read more

WE'RE LISTENING TO

Beijing-based band Hanggai write original songs in the traditional folk styles of their Mongolian ancestors — throat-singing, horsehair fiddles, lutes — spearheading an Asian version of the old-time revival. Though it’s only through the digital age that the rest of the world can access this beautiful music, it makes you want to slow down and reflect on what we’ve lost as a species. This stuff makes every flavor of the month indie band seem vapid and meaningless.