Illustration / Yuko Shimizu on Haruki Murakami
New York-based Japanese illustrator Yuko Shimizu has been featured on Lost At E Minor several times over the past couple of years. I love the sense of drama her work conveys, the apparent colour clashes that somehow gel despite pre-existing rules about their compatibility. We checked in with her to see what she’s been up to of late: ‘I just came back from a week in Georgian Bay in Canada. No internet, no cell phone reception for a week. It was fantastic! Now I am getting ready for a group show at Visual Arts Gallery in New York that opens in September. I am creating two new 40” x 60” drawings. I’m also slowly refurbishing my website here and there’. What other creative medium — outside of illustration/art - do you most get into? ‘I love books. I admire writers who write really well about characters that are so different from who they are. My favorites are Haruki Murakami and Yukio Mishima. I know, I always say I hate Japan and everything Japanese and … look at what I am doing! I am reading Hotel New Hampshire [John Irving] and Kitchen Confidential [Anthony Bourdain] right now, both of which are so interesting and fun to read in completely different ways. My studio-mate Marcos Chin, his boyfriend and I have a mini-book club now, and we often read the same book together at the same time. Marcos’ boyfriend had already finished with Hotel New Hampshire and complained I am too slow! I have to catch up on my readings’. If you teleport yourself anywhere in the world right now, where would it be and what would you be doing? ‘I am in Sesimbra, south of Lisbon, in Portugal, watching the ocean, eating fresh seafood and drinking white wine. And I don’t even drink, usually!’ Do you ever get illustrator’s block, and if so, what do you do to overcome it? ‘The older we get, we learn not to struggle when suffering. When you get drowned, the best way is to not panic. When you have a block, the best you can do is walk away and do something else. Get a good night sleep, don’t think about it’.



Also by ZOLTON
Kim Rosen’s illustrations are about as warm and cheerful as that first cup of strong, morning coffee. Read more
I love the sense of space and subtle introspection that seeps through Gregory Euclide’s artwork. His says of his latest series, ‘my work explores the way we experience nature and how this is tied to the cultural practice of constructing landscapes as idealized images. When we are in nature we experience the world through all of our senses in a dynamic way, but at the same time we are framing what we see through the cultural expectations we have absorbed through representational systems such as landscape painting, wildlife documentary, and travel guides. It is impossible, then, to have a true, non-mediated experience of nature even though we may long for it. My work explores the contradictions between the projection of idealized, picturesque views of landscape and our desire to have an authentic experience in nature’. Read more
Powder necklace by Stephanie Simek
This Powder Necklace features a pearlized Turbo Cinereus shell with tiny holes drilled into the bottom, filled with a sparkling silver-colored powder that when gently tapped, sprinkles a light dusting on the wearer’s chest. Designed by Stephanie Simek.
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We love the work of Toronto-based illustrator Julia Breckenreid, so we thought we’d check in with her and see what’s been going down. Literally. Read more
We featured White Williams on Lost At E Minor recently, so we thought it was time to pin him down for a chat. Metaphorically speaking of course. Read more
If ever there were an apt description of our time, it would be that we are the ‘mobile generation’, in every sense of the word. We are a people of movers, we are offered choice on so many levels. And, in this way, we are far removed — both in ideology and practice — from those generations before us, who were generally more static and certainly less transitory. Read more
The divine By Marlene Birger was as charming as ever at Copenhagen Fashion Week, merging delicate feminine fabrics with the indie street cool that Western Europe is infamous for. Read more
Animator Mathieu Labaye created this short film in tribute to his late father, who had been in a wheelchair for the last 15 years of his life. Read more
The work on the Buero NY website is amazing — it’s my art direction obsession! So much work, so many cool clients … what a fantasy.
Look closely at the froth of this latte and you’ll see a portrait carved out amongst the grains and milk. It’s a truly a work of art and it’s a feature of the coffee served at Richmond, Melbourne cafe Flavours of Lakhoum. Check, please!
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I’m a big fan of the vibrant, textured work of Brighton, England based illustrator Patrick Gildersleeves, who uses ‘pencil, felt tip pen and paint’ and is ‘inspired by the people of the world, patterns, paper, animals and plants’. He is a part of the Joyful Bewilderment group show at the new Rough Trade record store in London, opening October 2, 2008. Read more
A master of juxtaposition, Canadian photographer Liz Wolfe has updated her site with her newest series which focuses on characters and confection. The photos are never what they first seem, revealing something a little more macabre on closer inspection: a meat tree, a diseased dear, a melting icy pole dripping blood. It’s all presented in hyper-real candy colours.
Here’s another commercial building, and no doubt a nice one too. But just another commercial building. Yet there is something different here and it’s in the materials used. The cladding is a fibre-reinforced polymer, or a FRP, and has a finish similar to that of a car. This technology has not been used on buildings extensively, though it has been used commonly in aerospace industries due to its higher strength to weight ratio than steel and concrete. The building by Foster and Partners — called The Walbrook — is located in London and is due to be completed in 2009.
In the lead-up to one of the most anticipated and controversial Olympic Games in Beijing, Boston.com cobbled together a bunch of surreal photos from the wires that depicts the hyper-sanitized, white-washed, and quasi-futuristic city Beijing has become. Read more
The pre-revolution artwork of Xiaoqing Ding
New York-based artist Xiaoqing Ding’s work draws from traditional Sung Dynasty scroll paintings as well as from more recent forms, her figures looking as much like the cherubic babies in festive Chinese New Year art (known as Nian Hua) as they do the sultry flappers in cigarette ads in 1930s Shanghai. Her images have an ethereal and slyly erotic quality, referencing Chinese mythology, pre-revolution film, and subtly personal narratives. Read more
This beautifully soft, handmade and dyed scarf is by the New York-based designer, Ryan Sullivan. They can be purchased through the Lost At E Minor store. Read more
We have eight Familjen CDs to give away to new Australian based Lost At E Minor subscribers who can tell us what ‘Familjen’ translates to in English. Read more
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