A red carpet for all
A red carpet has enveloped the surface in and around the financial district of St. Gallen, a north-eastern city of Switzerland. A result of a competition, the ‘Stadtlounge’ (citylounge) was designed by artist Pipilotti Rist along with the Carlos Martinez architectural firm. The redness meanders through the functional office buildings, creating an inspiring and fun people-friendly space.
Tagged: Switzerland
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This house has many facets that make it an intriguing example. First of all, it is a very aesthetically pleasing project with the use of light horizontal timbers and a clean pitched roof. Designed by MOS, an interesting design collective based in America, the secret to the Floating House is that it floats on a structure of steel pontoons. The house rises and falls with the changing waters and is frozen in place depending on the season. The steel pontoons were constructed first and towed to the lake outside the contractor’s factory and then the house was built atop of it. When finished it was towed to its position, anchored and enjoyed in its unique position. Finally, it forms a bridge between the land and an island. Wonderful!
Dutch uber-firm OMA, headed by Rem Koolhaas, has created this concept in Mexico City to symbolize the coming two hundred years of Mexico’s independence. There are many layers of symbolism in this building, from Mayan pyramids to which part of the building controls the park and which part controls the city, to the fact that the bulge of the building is below the centre height, and that it all happens on a relatively small footprint. Most of all, in this building there is a barely contained energy that seems near to release and it may be that this is what Torre Bicentenario represents.
The Danes are renowned for their considered and subtle design. However, in these times of change, they must feel they need something with this selection of a bridge building as the winner of a recent architectural competition in Denmark. The American architect Steven Holl designed this building with a pedestrian bridge that links two sides of the harbour in the distinctly low-rise Copenhagen. Read more
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London-based illustrator Kerry Roper is fortunate enough to work mainly in the music and fashion industry. His art combines traditional illustration, photography and typography. He scored the lucrative Snickers campaign in America and has been featured in many books and magazines.
Fresh fruit? Yes please! Never mind that I had just finished a cottage pie as big as my face. I was going to have a punnet of those raspberries. I couldn’t help myself. Really. They were just sitting so pretty alongside the luscious apples and pears lining the rickety stalls of London’s Soho Fruit Markets, I just couldn’t restrain myself. And it seemed that I wasn’t the only one. Read more
The t-shirt range of Lollipop Loretta is essentially a bright and bubbly collection of wearable art. There are only two of each shirt in each size and the illustrative monster characters are printed on quality American Apparel shirts. Fun! Read more
It’s windy, cold, and raining out. On days like this, looking at the intricate work of artists like Kristopher Ho feels like re-reading an old book that you loved as a kid but forgot about in your more cynical adulthood. Read more
I paid a visit to the local bookstore the other morning and came across The Philosophy of Andy Warhol (From A to B and back again). Read more
How many times can we play the same song in different settings? Hmmm, I don’t know. But it is a hell of a song, from a hell of a band, as that uniquely English oddity, Jules Holland would no doubt concur.
Metronomy are a cool little London-based group headed by producer and remix extraordinaire, Joseph Mount. The sound sits somewhere between Autechre and Vitalic: clanging keyboards and body-gurning beats laced with an undercurrent of ominous electronica. It’s not as inaccessible as much of the more twisted electro-based stuff out there at the moment, although it retains an edge perhaps unpalatable for some ears. Yet there’s a catchiness to it that is clearly roping in the crowds: their live shows are a spectacle, complete with synchronised dancing and flashing costumes. If that floats your boat, they’re playing for free at the Tate Britain, London, on 27 September.
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