LED traffic lights

WE'RE SUPPORTING

New York and Zurich-based artist Urs Fischer’s entropic sculptures and installations blows apart people’s expectations of what to expect at a gallery. Last year’s installation, You, at Gavin Brown was a 38-foot-by-30-foot crater dug into the gallery floor. His huge, ambitious works seem frantic and impulsive despite the immense planning and meticulous execution they often require. His mockery of physics, and the enormous scale and shock-and-awe quality of his work suggest the god-like potency of an artist, at least within a gallery space. Read more

WE'RE TRAVELLING TO

There’s something compelling about the energy, the charisma, and the incessant pmmft, pmmft, pmmft of the slippery ghetto tunes blasting (and I mean blasting) out of every hotel, café and bar in South Beach, Miami. Read more

WE'RE WEARING

We used to depend on sundials back in the day, but now there are multiple ways to tell the time. And Tokyo Flash has just invented another one. Based on LED technology, these watches are not only stylish but futuristic and wildly innovative. They even have a watch from minimalist designer Naoto Fukasawa that is more than just your basic timepiece. The Tokyo Flash site says that their watches are supposed to ‘resemble the various moods of a human’, and they’re definitely an attention grabber. These are watches to take us right through to the 22nd century.

WE'RE THINKING

Sauerkids is Mark Moget and Taco Sipma, an artist team working out of Rotterdam, Netherlands. Their illustration work is ‘a combination of innocent childhood imagery and the mental confusion of everyday life’.

WE'RE READING

Rack is a quarterly bilingual magazine, published in English and Chinese, and geared towards Asian influenced global youth culture. Read more

Comedy troupe Summer of Tears edited itself into the classic ’80s movie Teen Wolf, starring Michael J. Fox, providing a new and gut-bustingly hilarious side-plot.

WE'RE LISTENING TO

Beijing-based band Hanggai write original songs in the traditional folk styles of their Mongolian ancestors — throat-singing, horsehair fiddles, lutes — spearheading an Asian version of the old-time revival. Though it’s only through the digital age that the rest of the world can access this beautiful music, it makes you want to slow down and reflect on what we’ve lost as a species. This stuff makes every flavor of the month indie band seem vapid and meaningless.