UNKLE
James Lavelle and Richard File have collaborated once again for the third full length UNKLE release, War Stories. Unsurprisingly, they have recruited an eclectic array of musicians to work with including Ian Astbury (The Cult), 3D (Massive Attack), Josh Homme (Queens of the Stoneage), Autolux, and the Duke Spirit. Fans that have hung onto Lavelle since the days of MoWax and Shadow’s cut and paste revolution are going to like this. It’s an evolution, more hardware and less software, and though it’s not exactly unchartered territory for Lavelle and File, it’s more refined and brave.
Listen to Uncle’s Burn My Shadow.
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Also by DAN MORGAN
I caught Iron & Wine play live last year and it was a typically soothing and mesmerizing set, until I was introduced to a different side of Sam Beam towards the end when he was joined on stage by co-headliners Calexico and struggled to contain his excitement as Joey Burns and Paul Niehaus worked with him to re-create songs featured on the In the Reins album. Beam has since taken his newfound passion for layered rhythm into the studio. His latest release, The Shepherd’s Dog, is denser, more textured and diverse, and as a result, more listenable than much of his earlier material. He has surrounded himself with a vast array of musicians and instruments that add new textures to his sound without distorting its fundamentals. It really is a classic album, well worth hocking the house for.
Listen to Iron & Wine’s Boy with a Coin.
I’ve never heard anything like them — so accessible yet not quite pop, devilishly dark yet not quite math rock, and precisely rhythmic yet not quite electro. Seattle band Minus The Bear’s latest release — Planet of Ice — isn’t a massive deviation from their 2005 release, Menos El Oso, though it does have a more confident urgency to it, with tracks like Knights and When We Escape in particular.
Listen to Minus The Bear’s Knights and watch the clip to their song, Pachuca Sunrise.
Bad Religion released their debut LP way back in 1982. Twenty five years on sees the release of New Maps of Hell, their 14th studio album. I think it’s fair to say that after a quarter of a century most bands tend to sound a little tired. But Bad Religion are definitely not showing any signs of fatigue, sustaining their intense energy levels and continuing to evolve their sound whilst maintaining credibility within the scene. Their sound has helped to define a genre and has been a major influence on many Southern Californian punk bands (no names necessary). So if you want a lesson in hardcore heritage and a taste of punk future at the same time, New Maps of Hell is certainly worth checking out.
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If ever there was an artist more deserving of critical acclaim, it’s Toronto-based, Jon Todd. I first came across his work a number of years ago at an underground art exhibit at the famed Niagara Bar in New York City: it was a painted skateboard deck. Who would have thought four years later that he would be staging his first solo show in the hotbed of Pop Surrealism. Read more
Yes it may be cliched to acknowledge it, but having lived for some time now down the barrel of the loaded gun that is New York, it really is difficult to be cynical — as the folk laureate Rufus Wainwright is — about this city. Read more
What a wonderfully grown up ethos of punk is to be found in the latest effort by New Zealand’s Stolen Girlfriends Club. I saw sequin, lace, leather, denim, tulle, rhinestone and what appeared to be heshen, breaking all the rules of taste but nevertheless making me very, very happy. Read more
I finally got my copy of Play Pen: New Children’s Book Illustration by Martin Salisbury in the mail today and was immediately taken by the gorgeous illustration on the cover. Marc Boutavant! I flipped to the pages featuring his work and I couldn’t be more smitten by his colorful, fantastically playful, and positively charming illustrations.
George Lois is the god of good ideas, or at least one of them. When I am stuck on ideas, I pray to George the God, or look through his works in hope of doing something one hundredth as good as his work. Read more
This is really amazing, a poignant and richly textured video and sound piece from Brooklyn-based artist, Alex Itin. Read more
I’ve yet to find out what they put in the water in Germany that generates such a consistently rich stream of good electronica. Carrying the torch at the moment is Hendrik Weber, aka Pantha du Prince, whose early 2007 release, This Bliss, landed on my doormat with a deep bass-kick and hasn’t left my iPod since. Read more
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Italian-born, New York City-based photographer Paolo Ventura creates fairy-tale like pictures out of amazingly constructed, miniature dioramas that almost trick the eye into thinking he’s a tilt-shift photographer. Read more
Hong Kong-based illustrator Man-Tsun draws dark and beautiful painterly images that look like they are straight off a high-end Japanese animated film. Read more
Alex Passapera’s dizzying pen and ink drawings are cascades of images melting into one another, often looking like contorting, mutating creatures spewing blood-like ink splatters. Read more
Trip out with Sparrow Vs Sparrow’s retro illustrations, I love their aesthetic, color use and sense of humor. Read more
There is not a medium that UK illustrator Lizzy Stewart cannot wrap around her little finger to make the most beautiful, whimsical images. Read more
Thanks to Sony Australia, four Lost At E Minor readers will win personal audio prizes, including the new 8GB Walkman S series video MP3 player and the MDRXB500 Extra Bass headphones. Read more
Sovereign Beck create modern silk ties for the classic man — both understated and provocative, classic and cutting edge. We have them for sale in the Lost At E Minor store. Read more
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