Hot Box
Hot Box, by Barcelona-based Ana Mir and Emili Padros — for Emiliana Design Studio — is a design object with a different type of consumer in mind. If most highfalutin design firms pitch their sleek wares at Prada-clad architects and inner-city aspirants, the envisaged audience for the Emiliana Hot Box is another breed entirely: the chilly sex worker. A translucent structure that emerges from the ground, the Hot Box was created with the notion of providing warmth and light for those who spend a long time waiting on the street — namely prostitutes. The Hot Box shows us, just like Julia Roberts’s happy trajectory in Pretty Woman, that all ladies deserve their turn on a pedestal. The Hot Box is currently on show in Sydney as part of ‘Connections: Experimental Design’ at the Ivan Dougherty Gallery, University of New South Wales, 5 – 21 July 2007.
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Also by KATRINA SCHWARZ
Australian fashion brand Lover, founded by Susien Chong and Nic Briand in 2001, arouses a particular type of devotion. Like the fashionable muses that inspire Lover’s strong and feminine collections – Patty Hearst for the ‘Black Rose Army’ (Spring/Summer 06/07); Rolling Stones groupies and biker babes for ‘Altamont’ (Winter 07) – fans of Lover know all about yearning, obsession … and waiting lists. Get in the swim and place your pre-orders for Lover’s newly launched Spring/Summer line, ‘One Plus One’, which includes the label’s first foray into swimming cossies.
In the 1985 movie Weird Science, a pair of happy misfits use tip-top technology and nerdy know-how to create something truly beautiful: in the form of ‘real life’ woman and sexed up diva Kellie Le Brock. The Australian fashion label Romance Was Born have created something equally beguiling with their Spring/Summer 07/08 collection, also called Weird Science. Sending coke-bottle spectacles, high-waisted acid wash and even a DNA inspired headdress down the runway at Rosemount Fashion Week, a real highlight of the collection is the label’s collaboration with hot Sydney artist Del Kathryn Barton. Del Kathryn Barton, who has previously collaborated on the label’s Regional Australia collection, will once again provide a unique fabric print that will be reproduced across a range of garments. Romance’s own misfit duo, Anna Plunkett and Luke Sales, know nerds get their revenge in the end. [see also Del Kathryn Barton]
Urs Fischer at Cockatoo Island
Cockatoo Island in Sydney Harbour has a fascinating – if checkered – history. A former convict prison, a shipyard and a reformatory for wayward girls, the island also has a fascinating present as the site of a new installation by Swiss artist Urs Fischer. Fischer visited Sydney under the auspices of Kaldor Art Projects, whose previous projects have included Christo & Jeanne-Claude’s Wrapped Coast – One Million Square Feet (1969) and Jeff Koons’s floral Puppy (1995). Visit Cockatoo Island between now and June 3 to view Fischer’s artfully clunky and wonderfully gritty works – a skeleton climbs into/escapes from a packing case; impossibly contorted forearms are suspended from the ceiling and in the installation’s central piece, a huge knobbly structure, recalling both tree branches and disembodied limbs, spans the island’s central forecourt. A ghoulish spectacle.
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