We love the pencil illustrations of Belgium-based artist Jenny Mortsell, so we interviewed her recently. How’s life been treating you? ‘Suspiciously good’. Are you feeling more creatively inspired as the years go by or less so? ‘I’m not sure. Creative inspiration is much connected to self-confidence than age. But I think the day you are sure you’re good at what you’re doing is the day it starts to get boring’. What is it about the medium of pencil that has attracted you so much? ‘I used pencils to draw since I was a kid, I feel I have control over it and technically there is nothing else that can be used to blend and create details like it (and mistakes are erasable!). But I am also attracted to it because it got an art school correctness, an ‘I can draw nice’ quality that makes it tragically uncool. And uncool is always more interesting than cool. That is probably why I decided to pick it up again’. Do you ever find it limiting in terms of color and texture?
‘Only when clients ask for color’.
What do you look at first whenever you are studying a person for a portrait?
‘I always start with the eyes, because then the drawing gets ‘alive’, demanding me to make it good’.
The drawings all seem very clean, as if the imperfections are not there. Is this a conscious thing?
‘Yes and no, I am constantly trying to come up with something I can do/add to trash things up in order to make the drawings more interesting, but it has to be something I can argue for, that feels personal and new, not just for the sake of it. Until I’ve found that they’ll stay neat. I do however, often deliberately leave imperfections like the smudges and fingerprints on the paper’.
Do you ever paint?
‘I used to, but when I try it now all the options get a little too overwhelming, so I’ve paused that for a while until I know what to do with all the colors’.
Are you still DJing? And what would be the first three songs you’d spin at a party to get the people up and dancing?
‘I still do occasionally. If people are drunk enough they might dance to ‘Power Run’ by Laserdance, ‘Turbo Diesel’ by Albert One or ‘Happy Song’ by Baby’s Gang’.
Ever have any recurring dreams? If so, what are they?
‘I don’t actually, but I’m afraid that doesn’t mean I’m trauma-free’.
Also by ZOLTON
There’s some awesome new work up on New York-based illustrator, Sam Weber’s website, including this one above which is did for the Soulpepper Theatre. We asked him a little while back about what his studio workspace was like: ‘I am fairly particular about where I like to work, and what sort of stuff I like to have around me. There are things that I look at often — a book of Max Ernst collages, one on Yoshitaka Amano, and a big stack of clippings from magazines and the Internet that I will periodically leaf through to get inspired’. Read more
Many years ago, when my hair was longer and my clothes were shabbier, I played guitar in a Sydney-based rock band. We never come to anything more than a few years worth of gigs and a deeply closeted aspiration to take the radio charts by storm. We never did. A lack of talent intervened, but it was damn fun while it lasted. Anyway, at one point during this debauched period of my life, I had a friend who was the frontman for the exotically named, Blue Apples of The Moon. He had an unusually resonant baritone and a penchant for writing epic music. One day he handed me a demo cassette with a batch of his new songs on it. I took it to work with me the next day, whacked it into my Sony Walkman, and immediately swooned amongst the lulling tones and fretfully beautiful lyrics of this Leonard Cohen classic. I was gobsmacked. Totally mesmerised. And having never heard it before, I presumed that my friend — this humble frontman of a bizarrely named rock band — had just penned the greatest song of our generation. For about eight minutes and seventeen seconds, I was convinced he was genius. That was until one of my workmates pointed out that it was actually a Leonard Cohen masterpiece, one of many. It turns out that my friend’s demos were on the other side of the cassette. And they were pretty average. But hell, anything would be after this unholy precedent.
A little while back, we ran a week long diary from Australian pop band, The Grates. It was kinda to get a window into the world. Hell, voyeurism is the new black. So we asked Melbourne-based rock band, The Basics, to do the same thing as they bring their music to the deepest reaches of Australia’s Northern Territory. These are the words of bassist and vocalist, Kris Schroeder: ‘Friday November 7. Darwin. It’s a weird old joint this one — I can probably compare it closest to Queensland’s Cairns, with the backpacker industry making up the life and character of the Central Business District. This makes it particularly good for bands, as you’ve got a ready audience staying only metres away from the music venues. Today was our first Darwin gig (at Monsoons), and it was a ripper. I’d organised with my mate Nathan to bring up the Sunshine Reggae Band from Ikuntji in the Western Desert, and they were going to be the first Indigenous band to play in the main street of Darwin, which is apparently quite a cultural breakthrough. The best bit was how well received they were, someone saying “This is great, because it’s what you should expect to see in Darwin, not just bloody cover bands all the time.” Quite chuffed. By the time we played it was packed out, and everyone was loving it. Job done’. Read more
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Lala Ladcani is part of the Argentinean art scene and works across illustration, multimedia collages, accessories and photography.
We’ve been featuring some interesting guest contributors on Lost At E Minor over the past six months. Included among them are Angus Andrews, from The Liars, Ben Lee (who wrote about his festish for vintage Rolexes, amongst other things), Brendan Canning from Broken Social Scene, designer Deanne Cheuk, artist Sam Weber, singer-songwriter Laura Veirs (who brought Juana Molina to our attention), and Tegan from Tegan and Sara.
Eik Ottosen, the hot Danish model has created Rubber Duck shoes. His Los Drillos come in just about every color and are super comfy and affordable. Read more
DJ Spooky — That Subliminal Kid — is just about the deepest crate digger around, trawling the barrels of long-lost record stores for choice vinyl to spin in his wickedly dubby sets. He gave us the inside word last week on his eight favourite songs right now via our sister website, My Secret Playlist. This is what he had to say about Lee ‘Scratch’ Perry’s Panic in Babylon: ‘If there’s anything that the twenty-first century has told us, it’s that dub is the real original hip-hop. Lee Scratch even had to make it clear in 1965 by adding “Scratch” to his middle name. Take that, Grandmaster Flash!’ Read the rest of DJ Spooky’s Secret Playlist.
B-Reel is real smooth. And when I say real, I mean really. They created the latest ad for kicks brand Onitsuka Tiger. Read more
Arriving two years after their debut, Settle Down City, Old Wounds completes Young Widows’ transformation into a top-shelf rock band firing on all cylinders. Forging the best parts of Nirvana, The Jesus Lizard, Nick Cave, PJ Harvey, Fugazi and The Melvins, Old Wounds is a series of dynamic, thoughtful tunes anchored by cavernous grooves that will certainly push most speakers to their breaking point. Read more
Architect Jean Nouvel is on a roll. His projects are popping up everywhere, but this may be the grandest. In choosing Nouvel’s design, the competition judges stressed that this ‘is the most important act of architecture since the Eiffel Tower’. Read more
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These stylish hoops of bronze have a profound effect on me. I’m seriously left singing If I Were A Boy Beyonce-style whenever I see them. Made by Stannard Inc, William the Brave bronze rings are stunning and the raw look exudes an air of individuality. But the cool thing is that you can actually get away with wearing them if you’re a chick, too. They’re made uni-sex in various sizes.
James Jean on the work of Rob Sato
We asked Californian artist, James Jean, to tell us about an emerging illustrator whose work he loves right now. This is what he had to say: ‘Rob Sato offends me. Read more
I like Roots Manuva because he tells stories. I know that sounds simplistic, but honestly, have you noticed how rappers, certainly American rappers, have stopped narrating their lives and are purely focused on how great they are? I know, I know, hip-hop is all about word play, slang, and blah blah blah. Read more
Pictures taken at just the right time
You don’t have to be a skilled photographer to take the best snaps: some just appear out of absolutely nowhere. This site has collected together some of the funniest, cruelest, most alarming — yet completely spontaneous — photos circulating the web. Thank god for other people’s suffering! Read more
Alison Malone on her Daughters of Job photos
A couple of weeks back we featured the work of New York-based photographer Alison Malone, who went into the secretive environment of the Job’s Daughters to photograph the girls who are direct blood relatives of the Master Masons. This is the second part of that interview. Read more
The Mission is part of a series of maps and images of Lauratopia, a fictional world that Brooklyn-based illustrator Laura Carmelita Bellmont has made up as a home for her imagination. The prints are archival, sized 8″ x 7″, and available for US$60. Read more
Woohoo! We have five copies of the new Faint album, Fascination [Inertia], to give away to randomly selected Australian-based Lost At E Minor subscribers who leave a message under this post telling us about the last time they, ummm, Fainted.
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