Candidate
‘I love that track. His voice is as smooth as melted chocolate’. So said a female friend in reference to the dulcet tones of Candidate vocalist Alex Donohoe. English rock bible, Q Magazine declare them to be the ‘bridge between lo-fi Americana and the woody thrum of archaic Britfolk’, and the band themselves liken their sound to ‘Lying drunk on your back in a field’. Hmmm. Something we can all perhaps identify with. Their album – Under The Skylon – was one of my favourite releases of 2004, a near impossible improvement on 2002′s Tiger Flies. And the good news is that in July Candidate release Oxengate, which should be something beyond spectacular if the progression persists. Stayed tuned.
Listen to a sample of the Candidate track, Sowing Song.
Also by DAN MORGAN
I caught Iron & Wine play live last year and it was a typically soothing and mesmerizing set, until I was introduced to a different side of Sam Beam towards the end when he was joined on stage by co-headliners Calexico and struggled to contain his excitement as Joey Burns and Paul Niehaus worked with him to re-create songs featured on the In the Reins album. Beam has since taken his newfound passion for layered rhythm into the studio. His latest release, The Shepherd’s Dog, is denser, more textured and diverse, and as a result, more listenable than much of his earlier material. He has surrounded himself with a vast array of musicians and instruments that add new textures to his sound without distorting its fundamentals. It really is a classic album, well worth hocking the house for.
Listen to Iron & Wine’s Boy with a Coin.
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I’ve never heard anything like them — so accessible yet not quite pop, devilishly dark yet not quite math rock, and precisely rhythmic yet not quite electro. Seattle band Minus The Bear’s latest release — Planet of Ice — isn’t a massive deviation from their 2005 release, Menos El Oso, though it does have a more confident urgency to it, with tracks like Knights and When We Escape in particular.
Listen to Minus The Bear’s Knights and watch the clip to their song, Pachuca Sunrise.
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Bad Religion released their debut LP way back in 1982. Twenty five years on sees the release of New Maps of Hell, their 14th studio album. I think it’s fair to say that after a quarter of a century most bands tend to sound a little tired. But Bad Religion are definitely not showing any signs of fatigue, sustaining their intense energy levels and continuing to evolve their sound whilst maintaining credibility within the scene. Their sound has helped to define a genre and has been a major influence on many Southern Californian punk bands (no names necessary). So if you want a lesson in hardcore heritage and a taste of punk future at the same time, New Maps of Hell is certainly worth checking out.
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