Ray Anderson, founder of the carpet tile company InterfaceFLOR, went from just complying with legislation to taking on the responsibility of the environmental consequences of his business. Anderson has challenged his colleagues to achieve zero environmental footprint by 2020, becoming what he calls a ‘restorative enterprise‘, a sustainable operation that takes nothing out of the earth that cannot be recycled or quickly regenerated, and that does no harm to the biosphere. To date, their use of fossil fuels is down 45 percent and net greenhouse gas production is down 60 percent. Globally, the company’s carpet-making uses one-third the water it used to. The company’s worldwide contribution to landfills has been cut by 80 percent. His Interface experience teaches that sustainability ‘doesn’t cost, it pays’. The company offers carbon neutral carpet on all their commercial products. What a challenge to existing business practices.
Also by SNELL

This house has many facets that make it an intriguing example. First of all, it is a very aesthetically pleasing project with the use of light horizontal timbers and a clean pitched roof. Designed by MOS, an interesting design collective based in America, the secret to the Floating House is that it floats on a structure of steel pontoons. The house rises and falls with the changing waters and is frozen in place depending on the season. The steel pontoons were constructed first and towed to the lake outside the contractor’s factory and then the house was built atop of it. When finished it was towed to its position, anchored and enjoyed in its unique position. Finally, it forms a bridge between the land and an island. Wonderful!

Dutch uber-firm OMA, headed by Rem Koolhaas, has created this concept in Mexico City to symbolize the coming two hundred years of Mexico’s independence. There are many layers of symbolism in this building, from Mayan pyramids to which part of the building controls the park and which part controls the city, to the fact that the bulge of the building is below the centre height, and that it all happens on a relatively small footprint. Most of all, in this building there is a barely contained energy that seems near to release and it may be that this is what Torre Bicentenario represents.

The Danes are renowned for their considered and subtle design. However, in these times of change, they must feel they need something with this selection of a bridge building as the winner of a recent architectural competition in Denmark. The American architect Steven Holl designed this building with a pedestrian bridge that links two sides of the harbour in the distinctly low-rise Copenhagen. Read more
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Illustrator MessyMsxi has a diverse, distinctive style. She does lots of cleaner text based work, but also some wonderfully loose drawings. I love the way she does faces.
Hello, my name is Zolton and I’m a non-dancer. That’s right, a non-dancer. I choose not to dance for the mental welfare of others, though my inability to shake and roll with the best of them can probably be traced back to the Id, the Ego; that darn voice that sits somewhere at the back of my head and reminds me that any inclination to hurl myself about the dancefloor will not go down well in public. So I choose not to. Heck … it’s my party and I’ll sit quietly and observe if I want to. Read more
I remember the first time I saw a Mark Rothko piece at the Art Institute in Chicago. I’d only seen reproductions until that point, and I never understood why people considered the late painter so important. Read more
For a lark, I spent last night cruising Worth Street in West Palm Springs, Florida, the longest, cleanest, most deserted street I’ve ever seen, which is jammed with a string of high-class stores, flogging everything from travel jewellery (for the terrified billionaire), to sweaters and blazers in every colour imaginable. That’s right, who said The Rich had poor taste?
Ever tried to imagine what an artist looks like based on their artwork? I was asked to be involved in this Australia-based project by Anna Brown, where she photographs comic artists and then presents the work next to a portrait of the artist in their own comic form. Read more
Nine months ago Sydney couple Matt Cribb and Bree Carter decided they’d take their relationship to the next level. They started making beats. After posting two home-recorded tracks on MySpace as WOW, they got the attention of New York-based independent label Metal Postcard who agreed to release the duo’s first official pressing. Read more
The mesh of fashion and illustration continues unabated, as reflected in the mind-blowing designs that make up the Belle Sauvage label. Read more
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Pencils made from recycled newspaper
The problem with awesome things like these pencils made out of recycled newspaper is that you almost don’t want to use them.

Here are a couple awesome pieces by Matt Leines that were recently on display in the Doubting Thomases exhibit at Nudashank gallery in Baltimore. Gives me ideas for Halloween. Read more

Michelle Blade’s psychedelic artwork
Michelle Blade’s washed out paintings are deceptively simple, her washy acrylics creating psychedelic textures and conjuring ghostly figures from the past. Read more

Benjamin Edminston’s psychedelic heads seem to have some fearful wisdom behind their blissed-out eyes. Read more

A little infectious lollipop rock anyone? Feel free to embarrass yourself singing along at the stoplight. If the other drivers give you that look, roll down the windows and spread the love.
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Sometime in 2010, the folks behind Dirty Dishes had the slightly silly idea of using cheeky vintage photos and putting them on dinner plates. After doing lots of research, talking to lots of people, and receiving loads of positive feedback, they wondered if this idea was so silly after all. And thus Dirty Dishes was born. Read more
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